<font color='navy' size='2' face='Georgia, Times New Roman, Times, Serif'><font size="2"><font face="Georgia, Times New Roman, Times, Serif">Steve<br>
Interesting stuff.<br>
</font></font>In <font color="navy" face="Georgia, Times New Roman, Times, Serif" size="2">my opinion this A-6 with the 5 note bichord transition was the best crossover sound to my ear. The company shoulda stuck with it. I've only seen & heard one and I sold it to Tom Cole. Tom? you still got it.<br>
I did not know all these designations existed for the Lowly Mason & Hamlin A<br>
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<div style="clear: both;"><b><font color="indigo" face="Georgia, Times New Roman, Times, Serif" size="1"><font size="2">Dale S. Erwin<br>
</font><font size="2"><font size="1">www.Erwinspiano.com</font></font><br>
<font size="1">Sitka Soundboard Sales<br>
Ronsen Piano hammers<br>
209-577-8397</font><br>
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<div style="font-family: arial,helvetica; font-size: 10pt; color: black;">-----Original Message-----<br>
From: Steve Jackson <steve@stevejacksonpianos.com><br>
To: pianotech@ptg.org<br>
Sent: Thu, Apr 14, 2011 4:43 am<br>
Subject: Re: [pianotech] Mason A specs<br>
<br>
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<pre style="font-size: 9pt;"><tt><br>
> Hello Steve,<br>
><br>
> There was the A- the A-3, A-4, A-5, and A-6,<br>
><br>
> The last of the A,s that Aeolian built was the A,5.<br>
><br>
> I ask Elmer and Allan Brooks in 77 why they went<br>
> back to the A-5. I never got a clear answer<br>
><br>
> There may have been the A,-1 and A,2 I can not<br>
> speak to this as I have never seen one.<br>
><br>
> Jack Wyatt<br>
> Dallas Chapter<br>
<br>
These were an A3, with plain wire down to the tenor, an A4 or 5 with 2<br>
bichords, and an A6 with a transition bridge at the tenor. I switched the<br>
A6 action with the A5 (as it still had the ivory) and all was well. The<br>
regulation was almost exactly the same with the switch. Amazing quality<br>
control which is difficult to achieve even today.<br>
<br>
Steve<br>
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