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<DIV>That is where "Musical Instrument Technicians Association, International
(MITA, Int.) comes in. (<A
href="http://www.mitatechs.org">www.mitatechs.org</A>) Our membership, working
in coordination with one another are keeping older instruments going for
customers the world over. There are invariably techs that works for
dealers that acquired extra parts for the purpose you note - keeping them
going. Then there are members of our organization that have the skills to
repair assemblies of instruments that the factories are no longer supporting,
having been associated with factories in the past.</DIV>
<DIV> </DIV>
<DIV>Dale Probst and Allen Gilreath have both been members of MITA, Int and can
vouch for what I have posted above.</DIV>
<DIV> </DIV>
<DIV>Ken Gerler, President</DIV>
<DIV>MITA, Int</DIV>
<DIV> </DIV>
<DIV> </DIV>
<BLOCKQUOTE
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B>
<A title=imatunr@srvinet.com href="mailto:imatunr@srvinet.com">Joe Goss</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, September 02, 2011 11:14
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: [pianotech] !!! Re:
Electronic Keyboards - NOT "pianos"!!</DIV>
<DIV><BR></DIV>
<DIV><FONT size=2 face=Arial>Where do you get parts for a 5 or 10 year old
electronic piano?</FONT></DIV>
<DIV><FONT size=2 face=Arial>Joe Goss BSMusEd MMusEd RPT<BR><A
href="mailto:imatunr@srvinet.com">imatunr@srvinet.com</A><BR><A
href="http://www.mothergoosetools.com">www.mothergoosetools.com</A></FONT></DIV>
<BLOCKQUOTE
style="BORDER-LEFT: #000000 2px solid; PADDING-LEFT: 5px; PADDING-RIGHT: 0px; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px"
dir=ltr>
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="FONT: 10pt arial; BACKGROUND: #e4e4e4; font-color: black"><B>From:</B>
<A title=tnrwim@aol.com href="mailto:tnrwim@aol.com">tnrwim@aol.com</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, September 02, 2011 8:55
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: [pianotech] !!! Re:
Electronic Keyboards - NOT "pianos"!!</DIV>
<DIV><BR></DIV><FONT color=black size=2 face=arial><FONT
face="Arial, Helvetica, sans-serif"></FONT><BR>
<DIV style="FONT-FAMILY: arial,helvetica; COLOR: black; FONT-SIZE: 10pt">
<BLOCKQUOTE style="BORDER-LEFT: blue 2px solid; PADDING-LEFT: 3px">But who
knows how things will develop. it would be awfully attractive to
conservatories and concert halls if a really good electronic instrument
was avalable at a fraction of the cost of a Steinway D.<BR><BR>Best
regards,<BR><BR>David.<BR></BLOCKQUOTE></DIV><BR>That is, until a fuse
blows, or some other electronic component stops working, and the whole
instrument becomes useless minutes before a concert. That, I think,
is going to be the big difference between acoustic pianos and the
electronic instruments. I stand corrected about the warrantee, as Ken
mentioned. But even with a 5 year warrantee, when the electronic
instrument breaks down after 10 years, a real piano is still much
more reliable and "cheaper" in the long run. <BR>
<DIV style="CLEAR: both"></DIV>
<DIV> </DIV>
<DIV>Wim<BR><BR></DIV>
<DIV
style="FONT-FAMILY: arial,helvetica; COLOR: black; FONT-SIZE: 10pt">-----Original
Message-----<BR>From: David Boyce <David@piano.plus.com><BR>To:
pianotech <pianotech@ptg.org><BR>Sent: Fri, Sep 2, 2011 3:21
pm<BR>Subject: Re: [pianotech] !!! Re: Electronic Keyboards - NOT
"pianos"!!<BR><BR>
<DIV id=AOLMsgPart_1_1820c7a2-7637-4cab-b125-ba60296de1c0><FONT
face=Arial>Well it's certainly interesting how things are developing at the
high end. If it gets to the stage where the really good ones are as
satisfying to play and to listen to as a good concert grand, there would be
a lot of advantages. Think how much less space would be taken up beside the
orchestra. The volume could be tweaked to match the venue and the orchestra.
No need for tuning!<BR><BR>Earl Wild in his Memoirs (get the book folks, a
super read) talks about playing a concert with a prototype Baldwin
ElectroGrand, a proper grand piano with some kind of amplification property.
He says it was far too loud for the orchestra at first. That, of
course, was a proper piano. But who knows how things will develop. it
would be awfully attractive to conservatories and concert halls if a really
good electronic instrument was avalable at a fraction of the cost of a
Steinway D.<BR><BR>Best regards,<BR><BR>David.<BR>
<BLOCKQUOTE type="cite">
<DIV>Joe,</DIV>
<DIV>There are "two" types of "instruments" that have "keys" like an
acoustic piano. The industry is going two directions.
"Keyboards" have a touch and feel more like organs; "Digital Pianos" are
going the direction of producing the feel and 'touch' of the
acoustic piano. August 2009 and January 2010, Yamaha had the
back page of the "Journal" with an ad about their Advant Grand
piano. It is "electronic" with and acoustic action. It
not only produces sound electronically, but also produces vibrations in
the cabinet making it feel like an acoustic piano.</DIV>
<DIV> </DIV>
<DIV>Ken Gerler</DIV>
<DIV>(Gerler Piano & "Organ"
Service)</DIV></BLOCKQUOTE><BR></FONT></DIV><!-- end of AOLMsgPart_1_1820c7a2-7637-4cab-b125-ba60296de1c0 --></DIV></BLOCKQUOTE></BLOCKQUOTE></FONT></BODY></HTML>