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<font face="Arial">Joe, I think you are right. I thought about that
just after I sent the post. The "onset partials" when the hammer
first strikes the string are of crucial importance, certainly for
perception of timbre, and probably for tuning. <br>
<br>
Best regards,<br>
<br>
David.<br>
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<pre wrap="">No. 2 I don't think would work. Think about the difference between plucking
a string and activating one with the hammer. The tone and harmonic spectrum
is different, as far as I've been able to ascertain. I suspect that that
would create an even different tonal/harmonic spectrum. Thoughts from
others?
Joe
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