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The general consensus I've gathered from various sources seems clear; "if you can <a href="http://www.grammarist.com/usage/make-do-make-due/" target="_blank">make do</a>
with what's already there, i.e., the original dampers, DON'T try to
replace them!!! You may make matters far worse, and dig yourself into an
ever-deepening hole!"<br><br>Cheers,<br><br><br>Terry "UniGeezer" Peterson<br>"Over 50, and not '2' Tired!" <br><a style="font-weight:bold" href="http://unigeezer.com/" target="_blank">www.unigeezer.com</a><br><br><br><div><div id="SkyDrivePlaceholder"></div>> From: joegarrett@earthlink.net<br>> To: encorepianos@metrocast.net; pianotech@ptg.org<br>> Date: Mon, 6 Feb 2012 23:21:35 -0800<br>> Subject: Re: [pianotech] Replacing dampers on a 1908 Steinway Upright<br>> <br>> Will,<br>> Are you playing Devil's Advocate?<G><br>> See my answers below<br>> <br>> <br>> > [Original Message]<br>> > From: Encore Pianos <encorepianos@metrocast.net><br>> > To: <joegarrett@earthlink.net><br>> > Date: 2/6/2012 8:05:09 PM<br>> > Subject: RE: [pianotech] Replacing dampers on a 1908 Steinway Upright<br>> ><br>> > Well, Steinway altered the design on the K-52's to a larger damper. Who<br>> > decides what it was intended to be? Steinway changed the design, so they<br>> > must have decided that the earlier one wasn't what they intended it to be.<br>> <br>> If you really knew the real story, you wouldn't be making that statement or<br>> question. Truth is: They discontinued manufaccturing the K-52. And, as the<br>> story goes, tossed out all of the original plans/jigs/fixtures,etc. Then,<br>> years later, they decided that was a bad decision and decided to start<br>> making that model again. They started with an olde one, that was not in<br>> very good shape and tried to replicate it. However, they decided to use<br>> Pratt-Win keys and actions instead of the original stuff. BIG FUBAR!!!<br>> (this was during the time of TEFLON) I suspect there are still a few of<br>> those turkeys out there.<G> Then, they decided to use Renner parts. It has<br>> morphed into what it is today. Is it as good as the original design? I<br>> don't think so! It's close, but it just ain't the same. The originals<br>> had/have a beautiful singing quality throughout the scale. The new ones<br>> seem to be somewhat lacking imo. <br>> ><br>> > The history of piano design was evolutionary up to the last hundred years<br>> or<br>> > so. Who decides when it has been perfected?<br>> <br>> That, sir, is a totally ridiculous question that I will not justify with my<br>> answer!!!<br>> ><br>> > What is "too much damping"? Be specific on the amount, and how that is<br>> > measured. <br>> <br>> Will, Go to bed and think about it, before asking, yet another stupid<br>> question!<br>> Respectfully,<br>> Joe<br>> ><br>> > Will Truitt<br>> ><br>> > -----Original Message-----<br>> > From: Joseph Garrett [mailto:joegarrett@earthlink.net] <br>> > Sent: Monday, February 06, 2012 10:07 PM<br>> > To: Encore Pianos; pianotech@ptg.org<br>> > Subject: RE: [pianotech] Replacing dampers on a 1908 Steinway Upright<br>> ><br>> > Will,<br>> > I disagree. But, suit yourself. <br>> > My thought is this: Too much damping is just as bad as not enough. <br>> > Most techs dislike over-damper pianos, because they do not dampen like the<br>> > pianos they work on. Big mistake. The intended overall sound of the<br>> > instrument is altered significantly when we attempt to make it something<br>> it<br>> > was not intended to be. That's my take on this. It's served me well.<br>> > Best,<br>> > Joe<br>> ><br>> ><br>> > > [Original Message]<br>> > > From: Encore Pianos <encorepianos@metrocast.net><br>> > > To: <joegarrett@earthlink.net>; <pianotech@ptg.org><br>> > > Date: 2/6/2012 6:36:19 PM<br>> > > Subject: RE: [pianotech] Replacing dampers on a 1908 Steinway Upright<br>> > ><br>> > > The Tokiwa kit or equivalent is superior in damping to the original<br>> > design.<br>> > > The original dampers are too small to damp as effectively as the <br>> > > longer<br>> > bass<br>> > > and tenor dampers of the kit. The new Steinway upright dampers are <br>> > > longer than the old for that reason and damp better.<br>> > ><br>> > > Will Truitt<br>> > ><br>> > > -----Original Message-----<br>> > > From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On<br>> > Behalf<br>> > > Of Joseph Garrett<br>> > > Sent: Monday, February 06, 2012 8:57 PM<br>> > > To: pianotech<br>> > > Subject: Re: [pianotech] Replacing dampers on a 1908 Steinway Upright<br>> > ><br>> > > Terri the Uni-Geezer asked: <br>> > > "I"m replacing worn hammers and *dampers* on a client's old Steinway <br>> > > upright, circa 1908. Having never replaced dampers on this particular<br>> > model,<br>> > > I was unaware that--apparently--replacing dampers on this piano is a <br>> > > NIGHTMARE, and one of the most difficult damper jobs of ANY piano, <br>> > > either upright or grand. Is this true? This gloomy scenario was <br>> > > communicated to<br>> > me<br>> > > by a tech who works at a local piano supply house, but I'd rather not <br>> > > mention who.<br>> > > <br>> > > I was told that the felts, especially the treble, are 'tapered' and <br>> > > that<br>> > you<br>> > > must "peel little layers off as you work your way up", or they won't <br>> > > lift properly, and won't dampen correctly. Basically I was told that <br>> > > ALL the dampers are almost impossible to get right with modern day <br>> > > replacements, without significant modification. Pics attached are from <br>> > > the action<br>> > showing<br>> > > the dampers. I would appreciate ANY advice the forum member may have, <br>> > > and what you might suggest, short of declining the job!<br>> > > <br>> > > PS: Brooks LTD told me that the Tokiwa TDVK damper kit (pic also <br>> > > attached) would work well. Your thoughts on this would also be<br>> > appreciated."<br>> > > <br>> > > Terry "UniGeezer" Peterson,<br>> > ><br>> > > Replicating is far less difficult than climbing that big-ass hill!<G> <br>> > > So, suck it up and reproduce exactly what is there. If you do not have <br>> > > the necessary damper felt, (in strips and sets), the Guillotine <br>> > > cutter, Hot<br>> > Glue<br>> > > Pot and other assorted tools necessary to that job, get them or farm <br>> > > it<br>> > out<br>> > > to someone who can do the job correctly. The Tokiwa set may work.<br>> > > Then again, maybe not. I've done several of these actions.. They ARE <br>> > > the most difficult to work on, IMHO, so meticulous work is required. <br>> > > OR, you will have the biggest nightmare of your piano loving career. <br>> > > (I've had to clean up the mess of others that did not take this <br>> > > advice...not a fun gig fer sur.) However, this is a worthy effort, <br>> > > since the Steinway Uprights of that design/era were, IMO, some of the <br>> > > best, ever. Yes, they are cranky critters, but the end result can be<br>> > extremely gratifying/satisfying.<br>> > > So........Go For It Big Uni-Geezer Dude!<G> Best, Joe P.S.<br>> > > If you need specific help, feel free to call me.<br>> > ><br>> > ><br>> > > Joe Garrett, R.P.T.<br>> > > Captain of the Tool Police<br>> > > Squares R I<br>> > ><br>> > ><br>> ><br>> ><br>> <br></div>                                            </div></body>
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