<table cellspacing="0" cellpadding="0" border="0"><tr><td valign="top" style="font: inherit;"><div>Very funny, Terry.<br />   The reason is that as I tuned, the thought passed through my mind of "Gee, this thing sounds like a cheap speaker sold out of the trunk of a &#39;70 Mercury in a parking lot!" (in 1978), and then I rememberd that those cardboardish-sounding speakers were in cheap, chipboard cabinets; so checked the construction of the Yammy and, sho&#39; &#39;nuff, found the same, basic, sucking-up-sound core material. Just go read some historical literature on piano construction from its "Golden Age" of fierce competition (1880-1915) and you&#39;ll find manufacturers stating quite bluntly (to each other-not for marketing purposes) that choice of woods, including veneers, <br />was made with the intent of losing as little vibratory energy to heat transduction as possible. (Rosewood, for example, was not just chosen for its looks.)<br /><br
 />Thumpe</div></td></tr></table>            <div id="_origMsg_">
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                                <span style="font-weight:bold;">From:</span>
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                            Avery Todd &lt;ptuner1@gmail.com&gt;;                            <br>
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                                <span style="font-weight:bold:">To:</span>
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                             &lt;pianotech@ptg.org&gt;;                                                                                                     <br>
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                                <span style="font-weight:bold:">Subject:</span>
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                            Re: [pianotech] Thubby Chipboard, was: Flagpoling                            <br>
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                                <span style="font-weight:bold;">Sent:</span>
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                            Fri, Aug 10, 2012 8:05:32 PM                            <br>
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                                        <td valign="top" style="font:inherit;"><div>Wim, it wasn&#39;t tubbiness. It was thubbyness. LOL </div>
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<div>Avery<br><br></div>
<div class="gmail_quote">On Fri, Aug 10, 2012 at 12:50 PM, <span dir="ltr">&lt;<a rel="nofollow" ymailto="mailto:tnrwim@aol.com" target="_blank" href="javascript:return">tnrwim@aol.com</a>&gt;</span> wrote:<br>
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<div><font style="BACKGROUND-COLOR:transparent;" face="Arial, Helvetica, sans-serif">You&#39;re both wrong. The tubbyness came from the hammer flanges with broken loops</font></div>
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<div>Wim</div>
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<div style="FONT-FAMILY:arial, helvetica;FONT-SIZE:10pt;">-----Original Message-----<br>From: Terry Farrell &lt;<a rel="nofollow" ymailto="mailto:mfarrel2@tampabay.rr.com" target="_blank" href="javascript:return">mfarrel2@tampabay.rr.com</a>&gt;<br>To: pianotech &lt;<a rel="nofollow" ymailto="mailto:pianotech@ptg.org" target="_blank" href="javascript:return">pianotech@ptg.org</a>&gt;<br>
Sent: Fri, Aug 10, 2012 5:17 am<br>Subject: [pianotech] Thubby Chipboard, was: Flagpoling<br><br>
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<div>Okay, so the little Yamy had a &quot;thubby&quot; sound. What leads you to conclude it was because of the chipboard (more than likely MDF) cabinet core? Personally, I&#39;m quite sure any &quot;thubby&quot; sounds were a direct result of the plastic keytops - anyone knows plastic will never sound like ivory.</div>

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<div>Terry Farrell</div><br>
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<div>On Aug 10, 2012, at 9:20 AM, Euphonious Thumpe wrote:</div><br>
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<div>And please allow me to add, briefly, that I had a HORRIBLE experience with flagpoling pins in a Georgia-built Yamaha P-22 upright once that was so bad it made tuning nearly impossible. Caused by extremely tight tuning pins and perhaps the wrong type of steel, in combo. (It also had a chipboard cabinet core, which made it sound &quot;thubby&quot;. )<br>
<br>Thumpe</div></td></tr></tbody></table></blockquote></div></div></div></div></div></font></blockquote></div><br>
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