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<font face="Arial">I agree with Phil's comments. <br>
<br>
Those certainly look like Boundary mics (also called pressure zone
mics). I'm certain you'd get a better result with them anywhere
but on the soundboard!<br>
<br>
In addition to Phil's suggestion of underside of lid, or floor,
you could try them on a low table under the piano to get them off
the floor. All those positions are going to give a "close miked"
sound. For more ambience, you could try the two mics on a table,
and try the table at various distances from the piano to hear what
gives the best results.<br>
<br>
Best regards,<br>
<br>
David.<br>
<a class="moz-txt-link-abbreviated" href="http://www.davidboyce.co.uk">www.davidboyce.co.uk</a><br>
<br>
</font><br>
<p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D">These
appear to be “pressure zone” or maybe “boundary” mics – these
are not “contact” mics or “pickups” – they’ll likely exhibit
nearly 100% rear rejection – although messy, these mics will
probably sound orders of magnitude better (more accurate) stuck
to the underside of the lid, opened or closed – alternately on a
reflective floor directly under the piano<o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D"><o:p> </o:p>Whichever
way you go, let your ear decide on proper placement (sounds
good? You did it right. Sounds bad? You did it wrong.)<o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D"><o:p> </o:p>Personally,
I wouldn’t let anything touch the sound board. In my experience,
doing so has an audible negative effect.<o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D"><o:p> </o:p></span></p>
<span
style="font-size:11.0pt;font-family:"Calibri","sans-serif";color:#1F497D">Phil</span><font
face="Arial"><br>
<br>
<br>
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