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Here are photos of a Swiss Sabel upright with bridge agraffes. Sounds good, not metalic nor with false beats. To be honest: it sounds absolutely normal. I would not have noticed that special bridge arrangement while tuning if I had not taken a look on the bridge.<BR> <BR>Gregor<br><br>------------------------<br>piano technician - tuner - dealer<br>Münster, Germany<br>www.weldert.de<br><br> <BR><div>> From: davidlovepianos@comcast.net<br>> To: pianotech@ptg.org<br>> Date: Thu, 25 Oct 2012 12:22:05 -0700<br>> Subject: [pianotech] Bridge agraffes FYI<br>> <br>> <br>> Attached are two photos of a Sohmer Grand bridge with bridge agraffes. Very<br>> interesting in that the string bears on the top of the aggraffe hole, not on<br>> the bottom as one might expect. In order to maintain positive downbearing<br>> on the bridge, the bridge has a raised shelf behind the aggraffe such that<br>> the string runs uphill to the bridge from the hitch pin area before running<br>> downhill to the aggraffe from the short span off the front of the shelf.<br>> The slope of the string then rises as you move toward the tuning pin<br>> termination side. Sadly, I did not have my bubble gauge to try and<br>> determine the net bearing and it's definitely got me reaching for the fish<br>> oil capsules thinking about whether a measurement of the relationship<br>> between the hitch segment and the front segment would reveal the net bearing<br>> anyway. The piano sounded like caca, btw, but there were other issues. In<br>> spite of that, the tone was surprisingly focused. <br>> <br>> David Love<br></div>                                            </div></body>
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