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<font face="Arial">Old broadwood uprights are always interesting to
encounter - they experimented so much! Today I checked out a Broadwood
cottate upright from about 1886 and was fascinated byh the treble
stringing patters. Also the little cloth sleeves in the bass
strings where they pass over the top bridge pins (and the wound
length going right over the bass bridge). Also the ncie feature
of the high treble wippens having extra mass to compensate for not
having the weight of dampers there. <br>
<br>
This old cottage-type upright has continuous flanges, and appears
to have no metal frame at all.<br>
<br>
Best regards,<br>
<br>
David.<br>
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