<table cellspacing="0" cellpadding="0" border="0"><tr><td valign="top" style="font: inherit;"><div>At the very least, "string pluckers" should only be able to use their hands ( no "implements of destruction") and these should be gloved. And all other meddling ( such as the insertion of objects between strings - bass strings, at least) should be banned. Deviations from such proscriptions should be subject to fines and/or remittance for identified suspected damages.<br /><br /> Thumpe</div></td></tr></table> <div id="_origMsg_">
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<b>
<span style="font-weight:bold;">From:</span>
</b>
Bruce Gibson Piano Technician <bruce@bgpianotech.com>; <br>
<b>
<span style="font-weight:bold:">To:</span>
</b>
<pianotech@ptg.org>; <br>
<b>
<span style="font-weight:bold:">Subject:</span>
</b>
[pianotech] Beyonce <br>
<b>
<span style="font-weight:bold;">Sent:</span>
</b>
Wed, Feb 20, 2013 5:04:36 AM <br>
</font>
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<td valign="top" style="font:inherit;"><div><p>So, who was the piano tech tuning the piano for Beyonce in her recent HBO documentary? </p>
<p><p><b>Bruce Gibson </b><br>
Piano Technician<br>
<i>Serving the Music Community since 1984</i></p>
<p>Call or Text: <a rel="nofollow">1.306.221.3786</a><br>
Toll Free: <a rel="nofollow">1.877.652.3571</a><br>
Email: <a rel="nofollow" ymailto="mailto:bruce@bgpianotech.com" target="_blank" href="javascript:return">bruce@bgpianotech.com</a> <br>
Website: <a rel="nofollow" target="_blank" href="http://www.bgpianotech.com">www.bgpianotech.com</a><br>
P.O. Box <a rel="nofollow">21063</a> Saskatoon, SK S7H 5N9</p>
<p><font color="#000000">Sent from my Samsung Galaxy S3</font></p>
<br/><br/>-----Original Message-----<br/>From: pianotech-request@ptg.org<br/>To: pianotech@ptg.org<br/>Sent: Tue, 19 Feb 2013 8:24 PM<br/>Subject: pianotech Digest, Vol 52, Issue 71<br/><br/></div><p>Send pianotech mailing list submissions to <br>
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When replying, please edit your Subject line so it is more specific <br>
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Today's Topics: <br>
<br>
1. Re: Prepared frickin'piano and damaged bass strings (David Love) <br>
2. Re: prepared frickin' piano, etc. (Alan Eder) <br>
3. Re: First Pinbock (Noah Frere) <br>
<br>
<br>
---------------------------------------------------------------------- <br>
<br>
Message: 1 <br>
Date: Tue, 19 Feb <a rel="nofollow">2013 16</a>:12:<a rel="nofollow">51 -0800</a> <br>
From: "David Love" <<a rel="nofollow" ymailto="mailto:davidlovepianos@comcast.net" target="_blank" href="javascript:return">davidlovepianos@comcast.net</a>> <br>
To: <<a rel="nofollow" ymailto="mailto:pianotech@ptg.org" target="_blank" href="javascript:return">pianotech@ptg.org</a>> <br>
Subject: Re: [pianotech] Prepared frickin'piano and damaged bass <br>
	strings <br>
Message-ID: <034f01ce0eff$05f<a rel="nofollow">36690</a>$11da33b0$@net> <br>
Content-Type: text/plain; charset="us-ascii" <br>
<br>
Yes, it was communicated. A contract was signed in which a no prepared or <br>
hands on strings clause is included. This was a group and several pianists <br>
were included so the director of the organization signed off on it. I'm <br>
letting the venue handle collection aspects. Fortunately, this was a <br>
relatively new set of strings and so the specs are readily available so <br>
replacement will be easy. Still there is cost and time involved in <br>
replacement and settling of the new strings. <br>
<br>
<br>
<br>
It's all getting handled but just thought I'd throw it out there as a <br>
precautionary note. I'm always concerned when I hear "prepared piano" and <br>
the several concert venues I deal with have instructions that I am to be <br>
informed if there is something like that on the program so that I can have <br>
some say on whether and how it's done. <br>
<br>
<br>
<br>
David Love <br>
<br>
<a rel="nofollow" target="_blank" href="http://www.davidlovepianos.com">www.davidlovepianos.com</a> <br>
<br>
<br>
<br>
From: <a rel="nofollow" ymailto="mailto:pianotech-bounces@ptg.org" target="_blank" href="javascript:return">pianotech-bounces@ptg.org</a> [mailto:<a rel="nofollow" ymailto="mailto:pianotech-bounces@ptg.org" target="_blank" href="javascript:return">pianotech-bounces@ptg.org</a>] On Behalf <br>
Of Gene Nelson <br>
Sent: Tuesday, February 19, <a rel="nofollow">2013 9</a>:45 AM <br>
To: <a rel="nofollow" ymailto="mailto:pianotech@ptg.org" target="_blank" href="javascript:return">pianotech@ptg.org</a> <br>
Subject: Re: [pianotech] Prepared frickin'piano and damaged bass strings <br>
<br>
<br>
<br>
Curious if there is any way to trace back to find out if the policy was or <br>
was not communicated to the pianist? <br>
<br>
Possibly the pianist has liability insurance. <br>
<br>
I would really like to avoid a similar situation at the venue I work. <br>
<br>
I have dealt with string pluckers at the university where I worked years ago <br>
but it has not come up here yet. <br>
<br>
Your experience is the ultimate. <br>
<br>
Gene <br>
<br>
<br>
<br>
_____ <br>
<br>
From: <a rel="nofollow" ymailto="mailto:pianotech-bounces@ptg.org" target="_blank" href="javascript:return">pianotech-bounces@ptg.org</a> [mailto:<a rel="nofollow" ymailto="mailto:pianotech-bounces@ptg.org" target="_blank" href="javascript:return">pianotech-bounces@ptg.org</a>] On Behalf <br>
Of Euphonious Thumpe <br>
Sent: Tuesday, February 19, <a rel="nofollow">2013 9</a>:26 AM <br>
To: <a rel="nofollow" ymailto="mailto:pianotech@ptg.org" target="_blank" href="javascript:return">pianotech@ptg.org</a> <br>
Subject: Re: [pianotech] Prepared frickin'piano and damaged bass strings <br>
<br>
<br>
<br>
<br>
David, I agree with you 100%! And when you hear the dread words "World <br>
Premier" preceding a symphony orchestra broadcast on NPR these days, have <br>
your hand ready to turn it off, or suffer! (Many "Serious Music" composers <br>
now have the same cacophonous malevolence toward humanity as "punk rockers", <br>
apparently. <br>
Perhaps "getting back" at everyone, because, despite high grades, they <br>
couldn't get a date in High School.) <br>
<br>
Thumpe <br>
<br>
<br>
<br>
_____ <br>
<br>
From: David Love <<a rel="nofollow" ymailto="mailto:davidlovepianos@comcast.net" target="_blank" href="javascript:return">davidlovepianos@comcast.net</a>>; <br>
To: <<a rel="nofollow" ymailto="mailto:pianotech@ptg.org" target="_blank" href="javascript:return">pianotech@ptg.org</a>>; <br>
Subject: [pianotech] Prepared frickin'piano and damaged bass strings <br>
Sent: Tue, Feb 19, <a rel="nofollow">2013 5</a>:13:25 PM <br>
<br>
<br>
Just came back to a piano that I service regularly after a prepared piano <br>
piece in which six bass strings (3 pairs of bichords) were damaged <br>
apparently by the pianist being called upon to scrape something up and down <br>
the length of the several pairs of strings. Of course, the windings are now <br>
rattling. <br>
<br>
The directors of this venue have issued previously a "no prepared piano" and <br>
"no reaching in" rule in order to avoid just this type of thing however it <br>
apparently fell on deaf (appropriate considering the nature of the music--ok <br>
cheap shot) ears. <br>
<br>
Just an FYI and a bit of vent. <br>
<br>
^%&*#$%&($)%*($)^&(#$) <br>
<br>
David Love <br>
<a rel="nofollow" target="_blank" href="http://www.davidlovepianos.com">www.davidlovepianos.com</a> <br>
<br>
<br>
<br>
<br>
<br>
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Message: 2 <br>
Date: Tue, 19 Feb <a rel="nofollow">2013 19</a>:23:<a rel="nofollow">42 -0500</a> (EST) <br>
From: Alan Eder <<a rel="nofollow" ymailto="mailto:reggaepass@aol.com" target="_blank" href="javascript:return">reggaepass@aol.com</a>> <br>
To: <a rel="nofollow" ymailto="mailto:pianotech@ptg.org" target="_blank" href="javascript:return">pianotech@ptg.org</a> <br>
Subject: Re: [pianotech] prepared frickin' piano, etc. <br>
Message-ID: <<a rel="nofollow" ymailto="mailto:8CFDD17ABE41AAF-FB4-23441@webmail-d004.sysops.aol.com" target="_blank" href="javascript:return">8CFDD17ABE41AAF-FB4-23441@webmail-d004.sysops.aol.com</a>> <br>
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<br>
<br>
<br>
<br>
I <br>
don't believe the piece has reached the public domain. <br>
<br>
May it never, until it can re played without harm to the instrument. <br>
<br>
<br>
Alan Eder <br>
<br>
<br>
<br>
-----Original Message----- <br>
From: David Love <<a rel="nofollow" ymailto="mailto:davidlovepianos@comcast.net" target="_blank" href="javascript:return">davidlovepianos@comcast.net</a>> <br>
To: pianotech <<a rel="nofollow" ymailto="mailto:pianotech@ptg.org" target="_blank" href="javascript:return">pianotech@ptg.org</a>> <br>
Sent: Tue, Feb 19, <a rel="nofollow">2013 4</a>:03 pm <br>
Subject: Re: [pianotech] prepared frickin' piano, etc. <br>
<br>
<br>
Yes, the people who rented the space will be billed. In answer to Ed <br>
Foote's question, I don't know the name or composer of the piece. I think <br>
it was a local teacher's composition and her student(s) who "played" it. I <br>
don't believe the piece has reached the public domain. <br>
<br>
David Love <br>
<a rel="nofollow" target="_blank" href="http://www.davidlovepianos.com">www.davidlovepianos.com</a> <br>
<br>
<br>
David, <br>
I truly sympathize with that! Utterly stupid things happen, when stupid <br>
people are involved! Hopefully, the "player", (I'll not call him a Pianist), <br>
will have to pay for them! If not, then someone needs to grow a backbone, <br>
imo. <br>
Sheesh! <br>
Joe <br>
<br>
<br>
<br>
Joe Garrett, R.P.T. <br>
Captain of the Tool Police <br>
Squares R I <br>
<a rel="nofollow" target="_blank" href="http://gpianoworks.com">http://gpianoworks.com</a>/ <br>
<br>
<br>
<br>
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Message: 3 <br>
Date: Tue, 19 Feb <a rel="nofollow">2013 21</a>:17:<a rel="nofollow">39 -0500</a> <br>
From: Noah Frere <<a rel="nofollow" ymailto="mailto:noahfrere@gmail.com" target="_blank" href="javascript:return">noahfrere@gmail.com</a>> <br>
To: <a rel="nofollow" ymailto="mailto:pianotech@ptg.org" target="_blank" href="javascript:return">pianotech@ptg.org</a> <br>
Subject: Re: [pianotech] First Pinbock <br>
Message-ID: <br>
	<CABKkihoqqqSrwEZ=<a rel="nofollow" ymailto="mailto:_3dg-+2sk4Jpu6t9n_1drDEi0KFGWq+bCg@mail.gmail.com" target="_blank" href="javascript:return">_3dg-+2sk4Jpu6t9n_1drDEi0KFGWq+bCg@mail.gmail.com</a>> <br>
Content-Type: text/plain; charset="iso-<a rel="nofollow">8859-1</a>" <br>
<br>
Okay, I've got the plate removed, and the pinblock too now. Turns out there <br>
is a plate flange. So I think we've got a plan: 1) strengthen the heck out <br>
of the case. 2) Replace the pinblock. Easy ;) <br>
I've cleaned up most of the epoxy goop that some jerk put in there (gosh i <br>
wonder who THAT was?). BTW the eopxy was West Systems, but I guess I didn't <br>
use any filler. I'll order some High Density or Colloidal filler for the <br>
fitting. The pinblock measures just under 38"x 8" and is 1.5" thick. I'd <br>
like to use the most eco-friendly wood possible while still holding up <br>
under the tension for a few decades. Any suggestions? Wouldn't it be great <br>
to reclaim some used hardwood? Somebody should do that. I don't know if <br>
that's possible though given the integrity needed for the pinblock. When I <br>
replace a soundboard someday I'd like to try the green SB that the <br>
Canadians were supposedly experimenting with a couple/few years ago. <br>
However, when I asked them about it a few months ago I got no response. <br>
If anyone wants to send me a pinblock from reclaimed hardwood and can <br>
guarantee it's integrity, for a reasonable price, I would be willing to pay <br>
higher than what Delignit or Schaff, etc. goes for. <br>
This is to be an eco-friendly piano, after all. The felt will come from <br>
either recycled or upcycled materials as much as possible. Et cetera,[image: <br>
Inline image 1] <br>
The gaps at the top of the piano were filled with square blocks. However, <br>
they were glued to the top of the piano, and the only way to remove the top <br>
was to bust it out, which took the 2 blocks you see missing here out. I <br>
will of course fill in these gaps. I kind of like the idea of creating a <br>
new back from strong beech plywood or something with holes cut out for the <br>
handles and soundboard. However, as far as filling in these gaps first: <br>
Terry said: " However, I'd fill the gaps with chunks of good strong <br>
hardwood. Hard maple is fine, but there are also a slew of ring-porous <br>
hardwoods that are very epoxy-bonding-friendly - white ash, red oak, etc. <br>
I would remove the 3/4" (or so) hardwood (I presume) strip on the very <br>
back top of the piano, cut hardwood blocks to fill the gaps between the <br>
posts, drill holes (1" or so) in the ends of the blocks (two or three) and <br>
install hardwood dowels in the block end holes (1" red oak are commonly <br>
available and great for this application), then I'd drill/chisel/ <br>
poke/beat/chop/rout out holes in the side/rear of the post such that you <br>
can install the filler blocks, with the dowels sticking out the sides, <br>
between the posts from the rear." I am afraid I have read this may times <br>
and still don't get it. Terry, would it be possible to explain this another <br>
way? or draw a picture? or perhaps over the phone... <br>
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</p>
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