<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; =
-khtml-line-break: after-white-space; "><BR><DIV><DIV>On Jan 8, 2006, at =
2:22 PM, Susan Kline wrote:</DIV><BR =
class="Apple-interchange-newline"><BLOCKQUOTE type="cite"> At 01:59 =
PM 1/8/2006 -0600, you wrote:<BR> <BLOCKQUOTE type="cite" class="cite"=
cite=""><B><I>Do NOT USE F3 in tuning =
A4.</I></B></BLOCKQUOTE><B><I><BR> </I></B>Does smoke curl out of the =
piano, or something? <BR></BLOCKQUOTE><DIV><BR =
class="khtml-block-placeholder"></DIV><DIV><BR =
class="khtml-block-placeholder"></DIV><DIV>Not out of the piano, out =
of Alan Barnard's ears perhaps. 8^)</DIV><DIV><BR =
class="khtml-block-placeholder"></DIV><BR><BLOCKQUOTE type="cite"> =
May we have a blind-fold test to see if anyone can tell the =
difference? </BLOCKQUOTE><BR></DIV><DIV>Don't miss the point. Alan is =
correct. Do what you wish out in the field; however, when It comes to =
the PTG tuning exam, those examinees wishing to give themselves every =
advantage, will use the piano's F2 (or B1) to test A4 against the pitch =
source A4.</DIV><DIV><BR class="khtml-block-placeholder"></DIV><DIV><BR =
class="khtml-block-placeholder"></DIV><DIV>Kent</DIV></BODY></HTML>=