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<DIV><FONT size=2></FONT><FONT face=Arial>Hi Ric, sounds like you =
are moving
along nicely on your project. My understanding is that there are two =
trains of
thought on this issue. </FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>The first is a perhaps traditional =
view that
suggests the panel must fit snugly to the edge - I think this is part of =
the
"circle of sound" thing and reflecting soundwaves or vibrations or =
whatever.
Like maybe the sound might leak out the edge of the panel? Andre =
Bolduc
pours fiberglass resin into any gaps between soundboard panel edge =
and the
inside surface of the outer rim.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>I think some more progressive thinking
(IMHO) suggests that all you need to do is have the edge of the =
soundboard
firmly attached (glued) to the inner rim. If the edge of the soundboard =
is
immobilized (glued to the inner rim), you have done all that
matters.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>If the board is now a little smaller than when =
you took it
out, your locator marks aren't going to be super useful in trying to =
figure out
where to position the soundboard. Likely the best method will be to get =
the
bridges optimally located. If you measured the original speaking =
lengths, try a
combination of reproducing the original speaking lengths and good =
alignment of
the speaking and backscale portions of the strings (assuming they =
were
aligned to begin with - perhaps a big assumption!). If you have good =
photographs
of the original alignment, you can refer to those. Presumably, the =
bridges have
not changed dimensions much.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>Keep us informed. Photographs?</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>Terry Farrell</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>----- Original Message ----- </FONT>
<DIV><FONT face=Arial size=2>From: "Richard Brekne" <</FONT><A
href="mailto:Richard.Brekne@grieg.uib.no"><FONT face=Arial
size=2>Richard.Brekne@grieg.uib.no</FONT></A><FONT face=Arial
size=2>></FONT></DIV>
<DIV><FONT face=Arial size=2>To: "Newtonburg" <</FONT><A
href="mailto:pianotech@ptg.org"><FONT face=Arial
size=2>pianotech@ptg.org</FONT></A><FONT face=Arial =
size=2>></FONT></DIV>
<DIV><FONT face=Arial size=2>Sent: Tuesday, January 27, 2004 9:34
AM</FONT></DIV>
<DIV><FONT face=Arial size=2>Subject: Rib =
Thinning</FONT></DIV></DIV>
<DIV><FONT face=Arial><BR><FONT size=2></FONT></FONT></DIV><FONT =
face=Arial
size=2>> Hi folks<BR>> <BR>> Finished trimming and sanding =
down the
ribs for the soundboard of this <BR>> old C.C.Lose square and went to =
see how
it fit into the <<rim>> of the <BR>> instrument. I =
noticed right
away it had shrunk down quite a bit.. Of <BR>> course it has a slight =
crown
to it now, but that isnt going subtract <BR>> much. Looks to =
have
shrunk in cross grain about 6-7 mm at its widest (60 <BR>> cm). There =
is
still enough to get a decent enough bite on the rim, but <BR>> =
it was a
tight fit coming out. So the question is... is it advisable to <BR>> =
add a
little strip on one of the edges so that the cross grain width of =
<BR>> this
panel fits tight going in dry ? Or is it advisable to leave things =
<BR>> as
they are.. Centered, each edge has about 5 mm of panel over the =
<BR>>
edges of the rim on either side.<BR>> <BR>> Thanks for any
advices,<BR>> <BR>> RicB<BR>>
_______________________________________________<BR>> pianotech list =
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