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<DIV><FONT size=2>Terry,</FONT></DIV>
<DIV><FONT size=2>I feel for ya brother. I too have "been there done
that". However, no matter how frustrating old uprights =
are,
there's a silver lining to your story.</FONT></DIV>
<DIV><FONT size=2>I think Dale Erwin's reply on this subject is pretty =
much on
the money. The customer has to be told upfront what costs should =
be
expected, along with the potential for additional charges for extra =
required work. </FONT></DIV>
<DIV><FONT size=2> Old uprights, bless their honky tonk =
hearts, are
usually land mines for breakage of actions parts and strings. Lets =
face
it...old uprights are old, very old. And many have not been kept =
up to
snuff, thus the problems increase. To make matters
worse, customers who normally buy old uprights ( and I'm speaking =
from our
part of the woods), usually are looking for the bargain of the =
century.
They paid no more than $100, probably moved it themselves, =
and now
are calling you to give them the blue light special.</FONT></DIV>
<DIV><FONT size=2>So you accept their job and go out bright-eyed and
bushy-tailed, ready to transform this beast into a thing of musical =
beauty.
</FONT><FONT size=2>You've agreed on the price, naively, and start the =
job.</FONT></DIV>
<DIV><FONT size=2>Then it starts...one jack breaks, then other, then a =
string
pops, then the inevitable...brass flanges begin breaking one =
by one,
and your worst nightmare begins to unfold. The schedule for the day has =
just
been ruined. Hours later you resurface from the nasty pit, bewildered. =
Then you
go home, still dazed, hoping to get sympathy from your loved
one...zilch, then come to the realization that the only comfort you =
need is
a healthy dose of Pianotech Chat to hear the countless others who =
have been
through the same darn thing.</FONT></DIV>
<DIV><FONT size=2> As I said earlier, there is a silver =
lining to
this story. Now you have something very valuable which will =
benefit
your financial picture for the rest of your working life:
experience.</FONT></DIV>
<DIV><FONT size=2>I find that with "old upright" customers, not to be =
confused
with old, upright customers, I either charge extremely high for =
the job,
full knowingly I'm committing myself for the major part of the day,or =
graciously
bow out during the initial phone conversation. The other option is =
to
refer them to your least favorite competitor. Doing a "quickie" tuning =
on old
uprights, especially ones which haven't been serviced in a long time, is =
simply
a dream, just a dream.</FONT></DIV>
<DIV><FONT size=2>For the record, my rant on this subject has nothing =
to do with
the quality and workmanship that obviously went to the making of these =
pianos.
Many are fine examples of piano manufacturing.</FONT></DIV>
<DIV><FONT size=2>But in the real world, you are trying to make a good =
living
for yourself, offering a good quality service. However, the reality is =
that many
of these instruments have been schluffed off from family to family =
and
basically have become destitute. The problems are extensive and the =
financial
reserves many of these customers are limited. Something has got to give. =
The
customer feels you are the one who should give in. You feel the customer =
needs
to buck up. The tug of war begins. </FONT></DIV>
<DIV><FONT size=2>I seldom take on any new customers with the old =
upright
situation. I have come to the conclusion, as you have, that some =
of these
customers simply don't want to pay more the basic low ball price. And =
then they
expect you to perform miracles.</FONT></DIV>
<DIV><FONT size=2>Somewhere in this free world you have to be able to =
make a
buck.</FONT></DIV>
<DIV><FONT size=2>Tom Servinsky, RPT</FONT></DIV>
<DIV><FONT size=3></FONT> </DIV>
<DIV><FONT size=3>----- Original Message ----- </FONT></DIV>
<BLOCKQUOTE
style="BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A href="mailto:Erwinpiano@email.msn.com"
title=Erwinpiano@email.msn.com>Erwinpiano</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
href="mailto:pianotech@ptg.org"
title=pianotech@ptg.org>pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, August 07, 2001 =
12:29
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Fw: Under an hour =
tuning (was
labor rates)</DIV>
<DIV><BR></DIV>
<DIV> </DIV>
<DIV style="FONT: 10pt arial">----- Original Message -----
<DIV style="BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A
href="mailto:mfarrel2@tampabay.rr.com"
title=mfarrel2@tampabay.rr.com>Farrell</A> <B>To:</B> <A
href="mailto:pianotech@ptg.org" =
title=pianotech@ptg.org>pianotech@ptg.org</A>
</DIV>
<DIV><B>Sent:</B> Sunday, August 05, 2001 6:27 AM</DIV>
<DIV><B>Subject:</B> Re: Under an </DIV></DIV>
<DIV> </DIV>
<DIV>. I wish we could charge strictly by the hour.</DIV>
<DIV> <FONT face=Arial size=2> I came into this thread =
a little
late Soooooooo</FONT></DIV>
<DIV><FONT face=Arial size=2> Am I missing something? =
Why don't
you, every other business does. Any way a good flat rate is supposed =
to
encompass prep,drive and work time.</FONT></DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>The old upright. The old upright. Geeeeezzz. The old upright. =
Hmmm. First
you spend 20 minutes trying to talk the owner out of doing anything =
with it.
After failure at that (although I do not always fail!), you tune three =
notes -
pound in a tuning pin - tune a few more - now you gotta stop =
because you
have a jack flange unglued - fix that - bla, bla, bla, - hammers =
flying
off - bla, bla, bla, - you know the picture here - even though you =
charge
extra to fix the jack flange and unglued hammer butt leather, and =
broken
hammer, etc., etc., it still slows you down big time. I find that old =
uprights
will take anywhere from 1 to 2 hours to tune - plus the repairs.</DIV>
<DIV> </DIV>
<DIV>TerryBeen there done that!</DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=2> Time in customers home =
plus travel
time , multiply by your hourly rate. What's the problem? =
Educating
the customer is the problem and that starts on the phone with an =
explanation
of cost based on time spent. Yes some people will not go for anything =
but the
Lowest price in town ( so what)but what are they going to get for that =
? The
possibly worst most unstable tuning money can buy.</FONT></DIV>
<DIV><FONT face=Arial size=2> Quality most be sold and then =
proven when
given the oppurtunity.</FONT></DIV>
<DIV> <SPAN id=__#Ath#SignaturePos__></SPAN> </DIV>
<DIV>So here I tune pianos in 45 minutes to 2 hours and charge the =
same thing
(actually I do charge the same for all except $5 more for spinets and =
$10 more
for old uprights). This is dictated by piano owners expecting one =
price for
tuning.</DIV>
<DIV> </DIV>
<DIV> Change their expectations.</DIV>
<DIV> </DIV>
<DIV>The point? Just trying to understand how others work some of this =
out.
Thanks.</DIV>
<DIV> </DIV>
<DIV>Terry Farrell</DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=2> Terry, when =
a potential
client calls we quote a price range between 90 and 125 shekels of =
silver with
the explanation of why and also the posibility that the piano could =
possibly
need other work and that I (or you or somebody) can assess that while =
tuning.
Mostly this scares off the low end that are only calling for my =
every
other-decade tune up. Yawnnnnn. These people are the worst clients and =
almost
a waste of your effort. They tell no one else about you and you spent =
a
herculean effort for the not enough shekels one price fits all tuning =
fee to
try to straighten out thir Sorry& and Yuck( I really liked
that)</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=2>Hope that helps. Just my two cents
worth.</FONT></DIV>
<DIV><FONT face=Arial size=2> </FONT></DIV>
<DIV><FONT face=Arial size=2> Dale Erwin</FONT></DIV>
<DIV>----- </DIV></BLOCKQUOTE></BODY></HTML>