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<DIV><FONT face=Arial size=2>Hi Jean-Jacques,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>It all depends on what you're listening =
for.
Piano tuners of course are used to listening for beats, and they are =
quite
sensitive to the presence of beats, how fast they are, where they are,
etc. Normal everyday people, and even musicians, listen for how =
sharp or
flat a note is, overall. Ten cents of sharpness sounds the same =
(in
deviation of pitch), whether it is towards the bass or towards the =
treble.
Those who doubt this should consider that *100* cents sharpness (i.e. =
the next
half step) also sounds the same, irrespective of octave.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Why does a larger deviation in =
Hertz in the
treble sound similar to a smaller deviation in the bass? That's =
just the
way our sensory systems work. All of our senses see proportional =
changes
as equidistant. The difference between 1 and 2 is the same =
difference as
between 4 and 8. Both are doublings. This works with taste, =
hearing,
sound, touch, and olfaction. In the case of hearing, the same is =
true with
loudness. Each doubling of amplitude, 6 dB SPL, sounds similar, =
whether
the sound is soft or loud. (Or for you people who prefer dealing =
in power,
each doubling of power, 3 dB SPL, sounds similar.)</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>In the end, we just can't resolve =
differences of,
say, 5 Hz in high pitched sounds, while they are incredibly conspicuous =
in low
pitched sounds. Another way of looking at this is that a beat rate =
of 1
beat per second (1 Hz) in the high treble is pretty much =
meaningless. The
same beat rate in the low bass is much more meaningful.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Peace,</FONT></DIV>
<DIV><FONT face=Arial size=2>Sarah</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=jjgranas@zigzag.pl =
href="mailto:jjgranas@zigzag.pl">Jean-Jacques
Granas</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Tuesday, March 16, 2004 =
2:51
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Beats vs cycles vs =
cents</DIV>
<DIV><BR></DIV>
<DIV><FONT face=Arial size=2>Hello one and all,</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=2>Dare I suggest (and perhaps live to =
regret it)
that beats, with all their imperfections for tuning purposes, are =
nevertheless
a natural acoustic phenomenon that exists whether we are there to hear =
it (or
tune the stubborn thing) or not.</FONT></DIV>
<DIV><FONT face=Arial size=2>Cents on the other hand aren't =
something you
actually hear, are they? When I tune in the deep base (the last 4-6 =
unisons,
depending on the piano), I don't listen to beats of course, because =
otherwise
In would be there all day. I just find the place where the octave or =
fifth
sound most pleasant, with occasional help from friends in the =
3rd
octave, but is what I am hearing 'cents'?</FONT></DIV>
<DIV><FONT face=Arial size=2>After all, 100 beats to half a tone =
(or
thereabouts) it is only a scale, like 1000 meters to a kilometer, 12 =
inches to
a foot, or 5, .... feet (what was it?) to a mile.</FONT></DIV>
<DIV><FONT face=Arial size=2>Or am I missing something =
?</FONT></DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=2>Peace-Paz-Paix-Pokój</FONT></DIV>
<DIV><FONT face=Arial size=2>Jean-Jacques Granas</FONT></DIV>
<DIV><FONT face=Arial size=2>Warsaw,
Poland</FONT></DIV></BLOCKQUOTE></BODY></HTML>