<HTML><FONT FACE=arial,helvetica><FONT SIZE=2> Phil
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<BR> The ribs on the Stein were not thinned down but just a little. It was a pretty bulky looking set of ribs and vast majority of the soundboards edge was a free float but not in the same way that has been described recently on the list. It just wasn't touching anything but the belly rail and a few inches of the rim near the top rib as I recall.
<BR> Somehow I do seem to observe many unique pianos. It's interesting what you can see when you're looking for unusual designs and paying attention.
<BR> Dale Erwin
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<BR>fordpiano@lycos.com writes:
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<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Subj:<B>Re: Stein grand unique board was: Piano Rims.</B>
<BR>Date:1/3/2002 1:23:53 PM Pacific Standard Time
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<BR>On Sun, 30 Dec 2001 16:33:24
<BR>Erwinspiano wrote:
<BR>>I recently saw a Charles Fredrick Stein built in
<BR>>Chicago in the golden years. This piano was 6ft. 3 ish and beautifully
<BR>>rebuilt and refinished by Bob And Marcia Davis of Stockton Ca.
<BR>> The Original belly system was a clamped edge system only on the belly
<BR>>rail and near the first highest rib on the curve as I recall. The rest of the
<BR>>system consisted of the ribs glued on top of the inner rim ( not morticed in
<BR>>as usual) with the board glued to n the ribs as usual but not to the rim.
<BR>>Basically a free edge more or less. Dumfounded was I at the rich sining tone
<BR>>and broad dynamics. It made me think of your (Dels) description of tonal
<BR>>range/dynamics in the pp area and the power generated by a strong fundamental
<BR>>in the forte ranges. No clang and bang just wonderful musical power and
<BR>>sustain.
<BR>> (Bob/Marcia jump in here and add or correct anything I'm forgetting.)
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<BR>> Happy Old/New year to all
<BR>> Dale Erwin
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<BR>Dale,
<BR>You seem to see some interesting pianos. Were the ribs thinned down at
<BR>the rim as usual?
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<BR>Phil F
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