<HTML><FONT FACE=arial,helvetica><FONT SIZE=2 FAMILY="SANSSERIF" FACE=
="Arial" LANG="0">David Love,<BR>
<BR>
It seems i may have missed the correspondence initiating the discussion on t=
he rear duplexes, but I am glad that I found the email in time to drop into =
the conversation because I believe that there is something missing from the =
interplay. And that something is a bit of respect for CFT. <BR>
<BR>
When the duplex scale was originally incorporated in the Steinway design in =
1876 at the Philadephia Convention it was accredited to be one of the most s=
ignificant new features of scale design by Steinway. It should be noted that=
since that time, S & S has remained a benchmark piano with a consistent=
and reliable tone. dozens of manufacturers have utilized CFT's patent to de=
velop their own versions of this characteristic. <BR>
<BR>
I have spent many years and many hours tuning and teaching duplex tuning tec=
hnology, and I consider it beyond the bounds of responsible technical =
rationale to attempt to redesign the plate of a Steinway Piano and its duple=
x scale instead of trying to tune the duplexes as Steinway intended. A=
nyone who would go to such lengths has obviously got a severe case of DUPLEX=
OPHOBIA. It is cureable, provided your priority is the tone of the piano.<BR=
>
<BR>
Dan Franklin, RPT</FONT></HTML>