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<TITLE>Re: Is it just me or ...</TITLE>
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<BLOCKQUOTE>"PSO" ... working on the acronym here ... are the let=
ters perhaps in the wrong order? Or does it stand for "posterior-specif=
ic ordnance"?<BR>
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jason kanter * piano tuning * piano teaching<BR>
bellevue, wa * 425 562 4127 * cell 425 831 1561<BR>
orcas island * 360 376 2799<BR>
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<BLOCKQUOTE><B>From: </B>Billbrpt@AOL.COM<BR>
<B>Reply-To: </B>pianotech@ptg.org<BR>
<B>Date: </B>Wed, 17 Jul 2002 19:33:28 EDT<BR>
<B>To: </B>pianotech@ptg.org<BR>
<B>Subject: </B>Re: Is it just me or ...<BR>
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<BLOCKQUOTE><FONT SIZE="2">In a message dated 7/17/02 6:24:29 PM Central Da=
ylight Time, kam544@gbronline.com writes: <BR>
<BR>
<BR>
</FONT><BLOCKQUOTE><FONT SIZE="2">>...Alan: I've tuned perhaps 20 or so =
of these little monsters in my <BR>
>short few years in this business. I can only think of one that is <BR>
>OK. The other 19 or so are very poor, aggravating, falling apart, <BR>
>misaligned, noisy, miserable little PSOs. <BR>
> <BR>
>When people inquire about buying a used piano, this is one that I <BR>
>regularly identify as often a poor choice. <BR>
> <BR>
>Just calling a spade a spade. <BR>
> <BR>
>Terry Farrell <BR>
<BR>
Terry, List, <BR>
<BR>
I'm glad I don't have to use your spade. It would be a long day <BR>
before any hole ever got dug. <BR>
<BR>
I say just the opposite of your observations, Terry, by the mere <BR>
fact, I take care of 105 Baldwin/Hamilton studios (dbase info), some <BR>
for as many as 23 years on an annual basis. <BR>
<BR>
Real workhorses, overall stability of tuning unquestioned as compared <BR>
to other units of same size, a big, bold sound for the most part, and <BR>
very seldom breaks down. <BR>
<BR>
Pound for pound, dollar for dollar, one of the best values ever made <BR>
in the piano industry. Takes a beating and keeps on playing. <BR>
<BR>
I can only think of one that doesn't cooperate like I'd like, but <BR>
it's no big deal. <BR>
<BR>
Cheers, <BR>
<BR>
Keith McGavern <BR>
</FONT></BLOCKQUOTE><FONT FACE="Arial"><BR>
Ahem, I'd have to agree with Keith here, Terry. There are a lot of th=
em out there. It is a very common choice for a school piano and many o=
ther situations. I've been going nightly and will be again in a few mi=
nutes to rehearsals for Man of La Mancha. If I had the attitude you do=
about the piano we are using, I wouldn't be able to do either my job as a p=
iano technician nor as a singer and actor. <BR>
<BR>
The last thing I would ever call our rehearsal hall piano is a "PSO&qu=
ot;. It is a Baldwin Hamilton Studio piano. It has great tone an=
d a beautifully designed soundboard. Does it require actual work fro<F=
ONT SIZE="2">loathful</FONT>m time to time to keep it being a musical instru=
ment and not an object for loathsome disdain? Yes, but again, that's w=
hat I am in business to do. <BR>
<BR>
<BR>
<FONT SIZE="2">Bill Bremmer RPT <BR>
Madison, Wisconsin <BR>
Click here: -=w w w . b i l l b r e m m e r . c o m =- <http://www.bill=
bremmer.com/> <BR>
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