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<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Date: Sun, 03 Dec 2000 12:06:11 +0100
<BR>From: Richard Brekne <Richard.Brekne@grieg.uib.no>
<BR>Subject: Re: Broadwood
<BR>
<BR>Meyer Carl wrote:
<BR>
<BR>> I remember a square Broadwood on the beach of New Zealand in the movie <BR>"The
<BR>> Piano". The waves were breaking around the legs. At that time I wasn't
<BR>> aware that squares were made in England or in Europe for that matter. <BR>Great
<BR>> movie but very strange.
<BR>>
<BR>> Carl Meyer
<BR>
<BR>Yes... even stranger was the sound of that piano... sounded like an 8 foot <BR>grand
<BR>or something. Holli-wood---- sheesh..
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<BR>Richard!
<BR>
<BR>Odd, isn't it, that with all the emphasis these days on authenticity of <BR>performance, pitch level, temperament (oops! Please, no flames!) that when <BR>it comes to a movie like that, the music was simply hopeless, hopeless, <BR>HOPELESS! It was a compelling story, to be sure, but........I very nearly <BR>walked out of the theater because of the music. With that in mind, what hope <BR>was there that the piano would sound even remotely the way it looked? <BR>Hollywood in the '30s and '40s tried very hard to be as realistic as possible <BR>with most movies.............too expensive now. Easier to do it in house <BR>with samples.........Sheesh is right!
<BR>
<BR>Stan Ryberg
<BR>Barrington IL</FONT></HTML>