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<DIV><FONT face=Arial size=2> Print job #2 coming =
up. Good
thinking Jon. </FONT></DIV>
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<DIV>Kevin E. Ramsey<BR><A
href="mailto:ramsey@extremezone.com">ramsey@extremezone.com</A></DIV>
<BLOCKQUOTE
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">There
is nothing wrong with an industry standard but when it becomes a =
dictate it
erodes an individual's free will.<BR>Variety is the spice of =
life. A
temperament is just a temperament; a tool to be used. It is not a =
political or
religious<BR>ideology to be defended with zealous =
fervor.<BR><BR>Before I
purchased an ETD, I was too lazy to learn a new temperament scheme. I =
did
rather well in my aural efforts<BR>but with the introduction of the =
ETD the
whole operation became easier and it broadened my horizon. I suppose =
there are
some<BR>people who buy a computer and only play solitaire on it. If =
you have
an ETD and don't try and HT, you are not realizing the<BR>full =
potential of
the machine or yourself.<BR><BR>Believe it or not, most pianos sound =
better in
something other than ET. This is not just my opinion but include =
Julliard
graduates<BR>(real musicians), they prefer the sound of their grand =
pianos in
WT not ET. I did a test: a spinet, console and studio up =
in
my<BR>shop; all in ET and sounded edgy and harsh. I retuned them in a =
WT and
they became sonorous and quite =
pleasing.<BR></BLOCKQUOTE></BODY></HTML>