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<DIV><FONT face=Arial size=2> Tony, just about =
every time I
see this "hard attack- poor sustain" situation, it's because the hammer =
has no
resilience. If I do some serious shoulder needling, fairly deep, and =
keep away
from the strike point, it almost always gives me more sustain. Surface =
needling
won't do it, and has the most effect on the crown, that will soften the =
tone,
but won't do much of anything for the sustain. On the smaller hammers in =
the
treble, I use a single needle, thin, and about 1/4 inch to 3/8ths inch =
long.
</FONT></DIV>
<DIV><FONT face=Arial size=2> Of course, mating =
strings,
regulation, and all that is necessary too, but speaking just about =
sustain, the
hammer needs "bounce". Also, make sure the downbearing is OK, and that =
there's
not a problem there, but there probably isn't.</FONT></DIV>
<DIV><FONT face=Arial size=2> Just my two cents
worth.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV>Kevin E. Ramsey<BR><A
href="mailto:ramsey@extremezone.com">ramsey@extremezone.com</A> </DIV>
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style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=caute@optusnet.com.au =
href="mailto:caute@optusnet.com.au">Tony
Caught</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, April 15, 2001 =
1:04
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Steinway Sustain</DIV>
<DIV><BR></DIV>
<DIV>Hi List,</DIV>
<DIV> </DIV>
<DIV>There are some of you out there that would know the answer to =
this
problem. Need help.</DIV>
<DIV> </DIV>
<DIV>Steinway D model, about 18 years old. This piano has always had a =
problem
in the treble from about F5 to B6. Tone is hard and sustain is
short.</DIV>
<DIV> </DIV>
<DIV>Over the years I have tried voicing the hammers and can balance =
the tone,
but, to the expense of the sustain, this drops of even more.</DIV>
<DIV> </DIV>
<DIV>Today I had a note left by the visiting European pianist, =
Michael
Leuschner (prior to my visit) asking that I voice the treble, =
especially
between B & B. "The sound is hard and doesn't last long enough" B6 =
isn't
bad.</DIV>
<DIV> </DIV>
<DIV>I needled the surface area to even out the tone through this =
area
and the pianist was happy with the result (needs this area as he is =
playing
Mozart & Chopin) but, I really want to fix this problem and =
because I now
have a note from the 'teacher' I have an excuse to fix it.</DIV>
<DIV> </DIV>
<DIV>What is the problem ? I have my thoughts but I only work on =
1
Steinway, some one must know what is causing this to happen.</DIV>
<DIV> </DIV>
<DIV>Regards</DIV>
<DIV> </DIV>
<DIV>Tony Caught ICPTG<BR>Australia<BR><A
href="mailto:caute@optusnet.com.au">caute@optusnet.com.au</A></DIV>
<DIV> </DIV>
<DIV> </DIV></BLOCKQUOTE></BODY></HTML>