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<DIV><FONT face=Arial size=2>I'd like to add that the idea of "log" =
scaling
(also know as geometric progression) is not new at all. I was used in =
some
harpsichords and fortepianos at least since the =
18th century.
Some of these had scales where the string length would double every =
octave =
using an octave ratio of 1:2 (also called Pythagorean scaling). =
So, to
calculate the length of each string, one needs just to start from a =
given legth
for the highest note and multiply it with the 12th root of 2 to get next =
lower
note string length. </FONT></DIV>
<DIV><FONT face=Arial size=2>Others would use tapered scales, based =
on a smaller
progression factor, for instance the ratio 1:1.945 for octaves, as =
proposed
by Jakob Bleyer in 1811. So, the smaller the factor, the shorter the =
lower
string lengths get, if you start from the same length of the =
highest
note.</FONT></DIV>
<DIV><FONT face=Arial size=2>But these facts were known even before
that.</FONT></DIV>
<DIV><FONT face=Arial size=2>For instance, some of the fortepianos =
built by
Stein used tapered scaling with the octave ratio of =
1:1.95.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> Calin
Tantareanu<BR>----------------------------------------------------<BR>&nb=
sp;<A
href="http://calintantareanu.tripod.com">http://calintantareanu.tripod.=
com</A><BR>----------------------------------------------------</FONT></D=
IV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=sec@overspianos.com.au =
href="mailto:sec@overspianos.com.au">Overs
Pianos</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, July 05, 2004 =
4:58 PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Piano Design (was
Interestingly Stable)</DIV>
<DIV><FONT face=Arial size=2></FONT><BR></DIV>
<DIV>I do not assume or state that my ideas are the only valid ones. =
And I
certainly didn't put forward the idea with any delusion that it might =
gain
your respect. Furthermore, I dispute that log scaling is my idea =
alone. While
I came up with it independently many years ago<FONT color=#0000ff> =
(during
1985 in fact, while servicing a Bösendorfer for the Sydney =
International Piano
Competition - in those days it used to take me four hours to design a =
new log
scale using a HP11C pocket calculator, 9 seconds per inharmonicity
calc)</FONT>, there are a number of technicians who contribute to this =
list
who share my view, and who almost certainly came up with idea =
independently as
well. If you were paying attention you would have noticed that others, =
such as
Del Fandrich and Ron Nossaman, are similarly convinced about the =
inadequacy of
hockey stick scaling. The primary reason, I believe, why factories =
persist
with this archaic scaling is that they lack the courage to move the =
break up
to where it aught to be for pianos of a given size. Unfortunately, =
company
supporters such as yourself appear to be so busy defending the =
corporate
position that alternative ideas are likely to be put-down before they =
are
given serious scrutiny.</DIV>
<DIV>couple of years.</DIV></BLOCKQUOTE>
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<DIV>Ron O.</DIV>
<DIV><BR></DIV><X-SIGSEP><PRE>--
</PRE></X-SIGSEP>
<DIV><FONT face="Times New Roman" color=#0000ff size=+1><B>OVERS =
PIANOS -
SYDNEY</B></FONT></DIV>
<DIV><FONT color=#000000><I> </I></FONT><FONT
color=#0000ff><I>Grand Piano Manufacturers</I></FONT><FONT
color=#000000><BR>_______________________</FONT></DIV>
<DIV><FONT color=#000000 size=-2><BR></FONT><FONT =
color=#000000>Web
http://overspianos.com.au</FONT></DIV>
<DIV><FONT
=
color=#000000>mailto:info@overspianos.com.au<BR>_______________________=
</FONT></DIV></BLOCKQUOTE></BODY></HTML>