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<DIV><FONT face=Arial size=2>Dr. Al Sanderson has done quite a bit =
of research
on pitch raising. Zillions of practical applications agree with his =
findings.
Forget all this hogwash. A0 to C88, unisons as you go - and be done with =
it.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Now I'm assuming you are using some =
sort of ETD.
Perhaps you are not. If not, forget what I said! And I don't have a clue =
how to
do an efficient pitch raise aurally.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Terry Farrell</FONT></DIV>
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<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>hi all,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>When you do a pitch raising, do you =
tune the bass
section just after you've tuned the middle section?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>I was told it was better to tune the =
middle, then
the bass, to control the medium again, to tune the treble, and to =
check the
treble once we get to C8.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Somebody told me that raising the =
bass after the
treble was considerably bad for the treble area when pitch raising, =
because
the bass strings applied on the bridge would make the soundboard =
"stress", and
so detune the treble area.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Have you ever heard of =
this?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial =
size=2>Quentin</FONT></DIV></BLOCKQUOTE></BODY></HTML>