<html> Today unfolded to be an interesting day.<br> <br> Yesterday, I tuned a Wurlitzer console scheduled for delivery. ET made the thing sound harsh, )like it needed help).<br> Today<i> </i>I retuned it in WT (Moore). What a difference. Not harsh but round and sonorous.<br> I liked it so much I retuned the Kawai console going out too.<br> <br> Besides that, two very accomplished musicians came by to try a 6'4" S&S A.<br> One plays piano and one plays violin, both Artistic Directors of area chamber music festivals.<br> The violinist's organization will now get the recommendation to purchase the S&S.<br> I mentioned to the piano player to try the Baldwin L next to the A. I had just tuned it in WT.<br> The first chord, "WOW". He proceeded to rip through some music commenting on how<br> open the music sounded. He tried the same piece on the A (ET). Although the A is a far better piano<br> than the tired old L, the consensus was that the WT sounded better.  The violinist asked if I could tune<br> the festival this summer in WT.  Can do.     Comparing thirds between the WT and <br> <br> I don't think I will give an option of WT over ET. Just do it.  What's the big deal with ET anyway?<br> <br> <br> <br> <div>Regards,</div> <br> <div>Jon Page,   piano technician</div> <div>Harwich Port, Cape Cod, Mass.</div> <div><a href="mailto:jonpage@attbi.com" EUDORA=AUTOURL>mailto:jonpage@attbi.com</a></div> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ </html>