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<p class=MsoNormal><font size=3 face="Times New Roman"><span =
style='font-size:
12.0pt'>I opt for the checks. I start at F3 and tune to the top of =
the
piano using a single mute. This allows me to check 3rds as soon as =
I have
tuned 5 notes and 4ths 5ths and other intervals soon after. You =
don’t
have to strip mute to do this. After I’ve tuned to the top I =
go
back to E3 and tune down checking as I go. Actually by the time I =
get to
wrapped strings I turn off TuneLab and tune aurally to A0. =
<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span =
style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span =
style='font-size:
12.0pt'>Tuning from A0 up requires absolute faith in your ETD of choice =
because
there’s no way to check anything until you’re half way =
through.<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span =
style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span =
style='font-size:
12.0pt'>dp<o:p></o:p></span></font></p>
<p class=MsoNormal><font size=3 face="Times New Roman"><span =
style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<div>
<p class=MsoNormal><font size=2 face="Times New Roman"><span =
style='font-size:
10.0pt'>David M. Porritt</span></font><o:p></o:p></p>
<p class=MsoNormal><font size=2 face="Times New Roman"><span =
style='font-size:
10.0pt'><a =
href="mailto:dporritt@smu.edu">dporritt@smu.edu</a></span></font><o:p><=
/o:p></p>
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<p class=MsoNormal><b><font size=2 face=Tahoma><span =
style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font =
size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> =
pianotech-bounces@ptg.org
[mailto:pianotech-bounces@ptg.org] <b><span =
style='font-weight:bold'>On Behalf
Of </span></b>Robert Finley<br>
<b><span style='font-weight:bold'>Sent:</span></b> Monday, September =
12, 2005
6:24 AM<br>
<b><span style='font-weight:bold'>To:</span></b> pianotech@ptg.org<br>
<b><span style='font-weight:bold'>Subject:</span></b> Best Tuning =
Strategy
using SAT III</span></font><o:p></o:p></p>
</div>
<p class=MsoNormal><font size=3 face="Times New Roman"><span =
style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
<div>
<p class=MsoNormal><font size=2 face=Arial><span =
style='font-size:10.0pt;
font-family:Arial'>Until now I have been performing the FAC stretch
calculation/analysis using the SAT III on the piano and then began =
tuning
chromatically from A0 upwards, tuning the single string unisons, and =
then the
two and three string unisons as I go along, using rubber mutes. I am =
wondering
whether it would be better to strip mute the piano, tune all the single
strings, perform checks on the intervals and octaves, and then go back =
and tune
all the unisons. </span></font><o:p></o:p></p>
</div>
<div>
<p class=MsoNormal><font size=3 face="Times New Roman"><span =
style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=2 face=Arial><span =
style='font-size:10.0pt;
font-family:Arial'>What would you advise that would produce the best, =
most
accurate and fastest result? Thank you for your help. =
</span></font><o:p></o:p></p>
</div>
<div>
<p class=MsoNormal><font size=3 face="Times New Roman"><span =
style='font-size:
12.0pt'> <o:p></o:p></span></font></p>
</div>
<div>
<p class=MsoNormal><font size=2 face=Arial><span =
style='font-size:10.0pt;
font-family:Arial'>Robert Finley</span></font><o:p></o:p></p>
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