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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=piano49@bellsouth.net =
href="mailto:piano49@bellsouth.net">John W.
Peterson</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> August 19, 2002 9:27 =
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Synchrotone Bass
Strings</DIV>
<DIV><BR></DIV>
<DIV><FONT face="Courier New" size=2>Hi Paul.</FONT></DIV>
<DIV><FONT face="Courier New" size=2></FONT> </DIV>
<DIV><FONT face="Courier New" size=2></FONT> </DIV>
<DIV><FONT face="Courier New" size=2>This section records the =
conversations
between the wire maker, manufacturers and technicians. One of the =
topics
covered is iron-wound (steel-wound) strings vs. the "new" copper-wound =
and
copper-plated-winding strings. fwiw: William Braid White is one of the =
participants.</FONT></DIV></BLOCKQUOTE>
<DIV dir=ltr><FONT color=#000080 size=2>Actually, they probably =
were iron-wound.
Pure iron--i.e., without carbon--is quite malable and can easily be made =
into wire suitable for wrapping bass strings.</FONT></DIV>
<DIV dir=ltr><FONT color=#000080 size=2></FONT> </DIV>
<DIV dir=ltr><FONT color=#000080 size=2>Del</FONT></DIV>
<DIV dir=ltr><FONT color=#000080 size=2></FONT> </DIV>
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