<HTML><FONT FACE=arial,helvetica><FONT SIZE=2 FAMILY="SANSSERIF" FACE=
="Arial" LANG="0">At 10:55 AM -0700 4/30/03, Delwin D. Fandrich wrote:<B=
R>
>A variable time lag depending on the level of play and on pitch? What ca=
uses<BR>
>the variations?<BR>
<BR>
Mainly the volume (cubic space: length and bore of the tube) of the <BR>
air column being activated. Air is far more compressible than steel, <=
BR>
and thus takes longer to give itself to a standing wave. Think high-C <BR>
on a trumpet vs. the bottom note on a Wagnerian tuba.<BR>
<BR>
Bill Ballard RPT<BR>
NH Chapter, P.T.G.<BR>
</BLOCKQUOTE><BR>
</FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=3=
FAMILY="SERIF" FACE="Book Antiqua" LANG="0">As a former back-row play=
er (bass trombone), might I suggest that players are also conditioned to ant=
icipate justsoslightly because of the difference in distance between the tro=
mbone section and, say, the concertmaster, principal cello, flute and oboe--=
from the perspective of the conductor. We got tired of always "playing=
behind the beat," and instead played just slightly ahead.......problem solv=
ed.<BR>
<BR>
Stan Ryberg<BR>
Barrington IL<BR>
Associate Member<BR>
<U>mailto:jstan40@aol.com</U></FONT></HTML>