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<DIV><FONT face=Arial size=2>Hi Andrew,</FONT></DIV>
<DIV><FONT face=Arial size=2>The CA needs usually more applications =
when you
treat the upright upright <G> If you have a micro fine needle you =
can slip
it in at the top of the base of the pin and almost get the glue to do =
what it
does when the piano is non-upright.</FONT></DIV>
<DIV>Joe Goss<BR><A
href="mailto:imatunr@srvinet.com">imatunr@srvinet.com</A><BR><A
href="http://www.mothergoosetools.com">www.mothergoosetools.com</A></DI=
V>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=anrebe@zianet.com href="mailto:anrebe@zianet.com">Andrew =
& Rebeca
Anderson</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, March 08, 2004 =
1:42
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Pinblocks, CA =
& Dope -
an update</DIV>
<DIV><BR></DIV>Terry,<BR>I just went back to tune a old upright piano =
today
that I had treated with CA via syringe with the piano standing up, =
there was
little room for laying it down. I had the same problem with the =
deep
bass rapidly swinging the tuning hammer back as soon as I let go of =
it.
I followed the treatment with a pitch-raise. I did the upper =
first and
then came back down to the pins I had treated.<BR>The second time =
around I
lowered the pitch first in case any CA had made it down to the pins on =
the
plate just below the tuning pins. There was a definite feel of =
"breaking
loose". I was worried about that but the torque staid good for =
this, the
second tuning. More loose pins have turned up in the treble as =
well as a
lot of false beats in the killer octave. I tried leveling the =
strings
below the pressure bar but that didn't make much difference so I'll be =
looking
at CAing the pins on the bridge, maybe; removing the strings first =
from them
might not fit their budget. Has a lot of loose center pins too, =
flat and
grooved hammers etc. just have to convince them to buy a new
piano.<BR><BR>Andrew<BR><BR>At 09:51 AM 3/8/2004 -0500, you wrote:<BR>
<BLOCKQUOTE class=cite cite="" type="cite"><FONT face=arial
size=2>FYI:</FONT><BR> <BR><FONT face=arial size=2>I =
CA-treated the
pinblock of an old upright six months ago. Dozens of pins were so =
loose that
they immediately spun back on their own after raising the pitch. I =
tipped
the piano back and applied two bottles of thin CA (after spending 20 =
minutes
trying to talk the lady into dumping the piano). It was quite =
apparent that
the pins had been doped some years ago - plate was all stained at =
the tuning
pins and the feel of the few pins that had any torque was very =
spongy. The
CA treatment seems to work well a couple days later when I =
pitch-raised and
tuned the piano.</FONT><BR> <BR><FONT face=arial size=2>I =
went back
there last night to tune. Three pins had let go. I gave them a tap =
or two
and they then had a very solid feel. All the other tuning pins had =
good to
great torque and very good feel.</FONT><BR> <BR><FONT =
face=arial
size=2>This piano had a full plate with no tuning pin
bushings.</FONT><BR> <BR><FONT face=arial size=2>Bottom =
line: CA worked
great on this previously doped block. Your results may
vary.</FONT><BR> <BR><FONT face=arial size=2>Terry
Farrell</FONT></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>