<HTML><FONT FACE=arial,helvetica><FONT COLOR="#000040" SIZE=2 FAMILY="SANSSERIF" FACE="Verdana" LANG="0"><I>In a message dated 7/1/2002 10:02:30 PM Pacific Daylight Time, nhunt@optonline.net writes:<BR>
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<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Subj:<B>Re: Night And Day </B><BR>
Date:7/1/2002 10:02:30 PM Pacific Daylight Time<BR>
From:<A HREF="mailto:nhunt@optonline.net">nhunt@optonline.net</A></FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
Reply-to:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A></FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
To:<A HREF="mailto:pianotech@ptg.org">pianotech@ptg.org</A></FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
<I>Sent from the Internet </I><BR>
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Hi Newton<BR>
I think if your looking for something in the softer ( than abel/renner) and lighter hammer for the Mason the Ronsen 14 lb. with light maple moldings will be the ticket. I would suggest the German felted as the Masons soundboard system seems to need a bit more stiffness in the felt. Light solutions of juice will get these hammers sounding great in this application. Most of the solution will be applied in the bottom half of the piano.<BR>
I'd use Ronsens in the Hamburg o as well .</FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE><BR>
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</FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Verdana" LANG="0"><I> </FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></I> I used to sell the Isaac product and am intimately acquainted with its </FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
</FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">charachteristics.</FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE><BR>
</FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0">I've used countless sets ( at least 50) of Isaacs hammers in all varietys of pianos </FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
</FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">in years past but my main objection was weight. It was hard to get the weight down. The sound was usually great. Especially for Yamahas and Kawai and so many others.<BR>
The best hammer Ari ever made was the sets with the america felt co. felt. These by far are the most voicing responsive and voicing stable hammers I have ever used. But I find the Isaac hammer with 18 lb. bacon felt to heavy for many applications.</FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE><BR>
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</FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Verdana" LANG="0"> For my money the Ronsen is the more consistent and versatile hammer for most our shop and field applications</FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"><BR>
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<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"> Best>>>>Dale Erwin>>>></FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></BLOCKQUOTE><BR>
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</FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Verdana" LANG="0"><I> </FONT><FONT COLOR="#000040" style="BACKGROUND-COLOR: #ffffff" SIZE=2 FAMILY="SANSSERIF" FACE="Arial" LANG="0"></I><BR>
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<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"><BR>
I have used Isaac's on Steinways. One set on a B were outstanding. I am faced<BR>
with a decision regarding a Mason and a Hamburg O. I do NOT want hard hammers<BR>
for either of these pianos. I have a set of Isaac's on the shelf but I want a<BR>
light set for the Mason.<BR>
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Are all Abel's hard now? I liked them a few years ago, not hard, not soft, but<BR>
very nice tone generators.<BR>
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Newton<BR>
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