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<P align=left>I agree, thats the way I do it...</P>
<P align=left>David I.</P>
<P align=left> </P>
<P align=left> </P>
<P align=left>----- Original message=
----------------------------------------><BR>From: Mike McCoy=
<<A=
href="mailto:mjmccoy@usa.com">mjmccoy@usa.com</A>><BR>To:=
Pianotech <<A=
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A>><BR>Rec=
eived: Thu, 11 Nov 2004 12:36:01 -0500<BR>Subject: Re: A-440 and=
Ethics.</P>
<P align=left><BR>I have yet to walk away from a piano leaving it=
flat, and the majority of my customer base is 1920-30's uprights=
and I do it all at once with RCT. Rarely do strings break and=
once I had 3, but that was the most. I don't do this because of=
any philosophy of mine, but because it has been what I learned=
from the Potter course, convention classes and other techs I=
respect. It was explained to me that early on that ear training=
is very important for piano students. If the piano is intended=
for lessons and it can not handle a pitch raise then it's time=
for a different piano, but I have not had to condemn one yet. It=
is also my understanding that if the plate breaks because of a=
pitch raise/correction then there was most likely a defect=
in the plate, is that not true??<BR><BR>Is a new student's=
progress hampered by a flat=
piano?<BR><BR>Mike<BR><BR><BR><BR>Mike McCoy <BR>Langhorne,=
Pa<BR><BR><A class=moz-txt-link-abbreviated=
href="mailto:Alpha88x@aol.com">Alpha88x@aol.com</A>=
wrote:<BR></P>
<BLOCKQUOTE cite=mid12d.4f1f4abb.2ec4eaca@aol.com=
type="cite"><FONT face=arial,helvetica><FONT lang=0 face=Arial=
size=2 family="SANSSERIF" ptsize="10">Greetings,=
<BR><BR> &n=
bsp; Usually, when I get a tuning call, it is a piano which=
hasn't been kept up the tunings on. I always ask how long since=
it was last tuned. They usually don't know. especially if they=
have taken in an "orphan"=
piano.<BR><BR> &n=
bsp; I do not like to raise the A4 pitch on any=
piano more than say 1/4 a tone or so, if it's been neglectd=
tunings. This is because I don't want to run the risk of=
cracking anyone's harp plate, let alone breaking strings.=
Especially on the little spinets, whose plates are 5/8" or less=
thick.<BR><BR> &n=
bsp; When I get to the house, I check the=
A-440 and it's octaves and get an idea of the overall tone of=
the piano; whrere it went flat the most. I always explain the=
concept of A-440 to the customer, and more times than not, it=
doesnt matter to them if its up to A-440 or not.=
<BR><BR> &n=
bsp; They just would like it in tune with itself. I also explain=
that pianos are designed to be tuned to A-440 for best results.=
(unless it is an extremely old, dry upright that's seen better=
days and wont let you even gradually take it up that far, even=
with subsequent tunings/loose pins or bridges coming off) I tune=
it the best I can get it, to sound at the A-4?? and suggest=
subsequent tunings so we can gradually get it there. They agree=
to a reminder card from me for follow ups ....say, 4 to 6 mo for=
the first follow-up. I also inform them that with each tuning=
the piano becomes more stable and to never let a piano go more=
than 2 years=
max.<BR><BR> &nbs=
p; On hearing these pianos, they are so, so neglected and out of=
tune, the piano <I>always</I> sounds better upon my departure,=
and thats all alot of folks want in order to start the kid's=
lessons, without paying "an arm and a leg". With customers=
who are more vigilant of how their piano sounds is another=
matter.<BR><BR> &=
nbsp; My tuning teacher used to say "As long as it sounds a lot=
better when you leave than from when you arrived".=
<BR><BR>Julia, <BR>Reading,=
PA</FONT></FONT></BLOCKQUOTE></BODY></HTML>