<HTML><FONT FACE=arial,helvetica><FONT SIZE=3 FAMILY="SERIF" FACE="=
Book Antiqua" LANG="0">><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #=
0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"></=
FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=2 F=
AMILY="SANSSERIF" FACE="Arial" LANG="0">>I should have put that in =
quotes like above but isn't<BR>
>>that one of their big selling points? "Hand made!"<BR>
><BR>
>>Avery<BR>
<BR>
<BR>
<Yes indeed, "hand made".<BR>
<BR>
... but everything in the action is still machined...<BR>
<BR>
<G><BR>
<BR>
Ron N><BR>
</BLOCKQUOTE><BR>
</FONT><FONT COLOR="#000000" style="BACKGROUND-COLOR: #ffffff" SIZE=3=
FAMILY="SERIF" FACE="Book Antiqua" LANG="0">Avery and Ron,<BR>
<BR>
Just about two weeks ago the Chicago Chapter met at the local S&S rebuil=
d shop and was treated to a presentation by Eric Schandall, which focused on=
Steinway parts and how they were and are manufactured. Yes, all of th=
em are machined, most now by entirely new, redesigned machines of rather sta=
ggering proportions, but machined...............by hand. That is, almo=
st all of these machines have an operator controlling them, rather than leav=
ing it to computerized controls, as would usually be the case, say, in machi=
ne tool shops. Sure, the parts are made to more uniform tolerances tha=
n they have ever been.......but as Ron is saying (I believe--he'll stomp me =
if I'm wrong, don't worry), all of this fine, precision array is then assemb=
led by hand in a piano carcass that has NOT been machined to similarly close=
tolerances, hence the lack of interchangeability of actions, for example.&n=
bsp; And the vastly different feel to instruments that only LOOK identical.&=
nbsp; (Why this should come as any kind of surprise, I don't know!)<BR>
<BR>
Stan Ryberg<BR>
Barrington IL<BR>
Associate Member<BR>
<U>mailto:jstan40@aol.com</U></FONT></HTML>