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Dale/Andre, <br><br>
Just a question out of curiosity. How do these Wurzen punchings compare
in firmness, etc. <br>
with the Yamaha punchings. Even those are SO much better than the softer
dark green supply <br>
house punchings. <br><br>
I still have 1-2 sets of the Yamaha punchings, but I'll probably order
some of the Wurzen <br>
as soon as Jurgen has them available. <br><br>
Thanks. <br><br>
Avery Todd<br><br>
P.S. As far as naming them is concerned, wouldn't simply Wurzen punchings
work? That seems<br>
to be what's evolving on the list. Or would that be some kind of
trademark infringement? <br>
Just a thought. <br><br>
At 10:06 AM 4/7/05, you wrote:<br>
<blockquote type=cite class=cite cite=""><font face="arial" size=2>In a
message dated 4/6/2005 7:20:08 P.M. Pacific Standard Time, Erwinspiano
writes:<br>
</font>
<dl>
<dd><font face="arial">Hi Andre<br>
<dd> Hey the punchings are remarkable. I proved it again on a Mason
AA I just went thru. I redesigned the board with a modest bass cut off
& fish in the treble. My first experiment in that realm. We had done
the action first and we had the green punching in there. Having worked
with the tone , tuning and reg which was quite good I had a very definite
opinion about the sound which was great but when I changed the
punchings the sound just went into another realm. It's uncanny.
WOW..<br>
<dd> I have a dozen sets of the ususal dark green stuff I'm
going to send back!<br>
</font><br>
</dl> <font face="arial">Also I like roger ideas about a wurzen
let-off punching. What say ye<br>
</font>
<dl>
<dd> Regards. <br>
<dd> Dale<br>
<br>
</dl><b> BTW Setting aftertouch is so precise. What a
dream</b></blockquote></body>
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