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" Great devices for having people understand technical jargon. "We who
are <br>
techs., assume that most people can understand what we're talking about<br>
when we say pitch raise. Telling someone that their piano is 50 cents
flat,<br>
almost always gets that glazed over look. I often tell peole that
because <br>
their piano is flat, it will have to be tuned 2 or 3 times to get it to
settle at pitch.<br>
It is similar to painting a plaster wall , which hasn't seen paint for
10 or 20<br>
years. You know what happens to the first coat ? Well almost all
people<br>
will say that the paint seems to sink into the plaster, but the next
coat usually<br>
makes a bigger difference. Of course , it isn't unusual to have to
paint a third <br>
time, if you really want a good job. Most times , 2 tunings are pretty
good, and<br>
will suffice till the next scheduled tuning, say in 6 months or so. If
in a concert<br>
setting, one might have to tune maybe 3 or 4 times that week. <br>
<br>
Carl / Winnipeg<br>
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jason kanter wrote:
<blockquote
cite="midALEDKPDIAIDEIGKAONDOAELLCMAA.jkanter@rollingball.com"
type="cite">
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<div><span class="474542104-13022005"><font color="#0000ff"
face="Trebuchet MS" size="2">I love these phrases, thank you so much. </font></span></div>
<blockquote style="margin-right: 0px;" dir="ltr">
<div class="OutlookMessageHeader" align="left" dir="ltr"><font
face="Tahoma" size="2">-----Original Message-----<br>
<b>From:</b> <a class="moz-txt-link-abbreviated" href="mailto:pianotech-bounces@ptg.org">pianotech-bounces@ptg.org</a>
[<a class="moz-txt-link-freetext" href="mailto:pianotech-bounces@ptg.org">mailto:pianotech-bounces@ptg.org</a>]<b>On Behalf Of </b>Cy Shuster<br>
<b>Sent:</b> Saturday, February 12, 2005 4:58 PM<br>
<b>To:</b> Pianotech<br>
<b>Subject:</b> Country units<br>
<br>
</font></div>
<div><font size="2">I love tuning for people here in southern West
Virginia. They're down-to-earth, and a lot more sophisticated than you
might expect. Very much into music: churches with a dozen instruments
in the sanctuary (guitars, drums, keyboards).</font></div>
<div> </div>
<div><font size="2">However, I've found different ways of
expressing concepts, especially since there's so much familiarity with
guitars. For example, instead of "100 cents flat", I just say "It's a
fret low". Instead of "a piano has between 220 and 250 strings", I say
"tuning a piano is like tuning 40 guitars". That one even got my
attention! Since<em> </em>I always make at least two passes, one
tuning's the equivalent of 80 guitars -- 120 with a pitch raise! To
describe a pitch raise, I give the example of moving a house to a new
foundation. If one corner was way low and you jacked it up, something
else would get thrown out as a result, so you'd have to go around once
to get it close before trying to make the floors really level.</font></div>
<div> </div>
<div><font size="2">Instead of "tuning pins pressed into a
laminated pinblock", I say "they're nailed into holes drilled into
butcher block", or I use the example of violin pegs with a friction fit
instead of guitar tuners with gears. "Delamination" is "like kitchen
chairs coming unglued in wintertime". I often take off the bottom
cabinet panel on uprights and point out the similarities to a guitar:
strings terminating at the rim, running over a bridge.</font></div>
<div> </div>
<div><font size="2">What I like the best is still to check out a
piano, and when they ask me how bad it is, saying simply "It's a fret
low".</font></div>
<div> </div>
<div><font size="2">--Cy Shuster--</font></div>
<div><font size="2">Bluefield, West By God Virginia</font></div>
<div> </div>
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