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<DIV> <FONT size=3> Hi Dave </FONT></DIV>
<DIV><FONT size=3> Just for accuracy. This is a quote from my post.<=
/FONT></DIV>
<DIV><FONT size=3> Dale</FONT></DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue =
2px solid"><FONT face=Arial>Tension<BR>>> & compression go hand =
in hand in the hammer pressing process.<BR>>> As I stated=
, & piano hammer makers can tell you, that too much<BR>>> tension<=
BR>>> can<BR>>> be achieved during pressing in the outer layers =
of felt and it can &<BR>>> will rip<BR>>> open in the crown.=
This is the elastic limit of the felt.<BR>----- Original Message ----- <BR>=
From: "antares" <antares@euronet.nl><BR>To: "Phillip Ford" <fordpia=
no@earthlink.net>; "Pianotech"<BR><pianotech@ptg.org><BR>Sent: Tues=
day, May 18, 2004 2:39 PM<BR>Subject: Alfred Dolge would smile upon us<BR><B=
R> I think this is the problem in Yamaha hammers. As they=
wear, the crown<BR>"blooms", i.e., spreads wider, making the hammer pear-sh=
aped rather than its<BR>original "diamond" shape. Anytime I've filed h=
ammers on a Yamaha, not only<BR>is it difficult to find a "layer", but the c=
rown spreads apart even worse<BR>from the filing than it already had been fr=
om the string cuts. So the inner<BR>part of the hammer must be compres=
sed too much or the outer part is<BR>stretched too much, or both.<BR> =
If the tone is too bright after the filing, then any voicing with<BR>=
needles near the strike point (even if it's not right ON the strike point)<B=
R>makes the crown spread apart even more. It's very frustrating and I'=
m not<BR>sure how to handle this problem.<BR> --David Nereson, =
RPT</FONT></BLOCKQUOTE></DIV>
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