<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Re: Agraffes</TITLE>
<META content="text/html; charset=iso-8859-1" =
http-equiv=Content-Type>
<STYLE type=text/css>BLOCKQUOTE {
        MARGIN-BOTTOM: 0px; MARGIN-TOP: 0px
}
DL {
        MARGIN-BOTTOM: 0px; MARGIN-TOP: 0px
}
UL {
        MARGIN-BOTTOM: 0px; MARGIN-TOP: 0px
}
OL {
        MARGIN-BOTTOM: 0px; MARGIN-TOP: 0px
}
LI {
        MARGIN-BOTTOM: 0px; MARGIN-TOP: 0px
}
</STYLE>
<META content="MSHTML 5.00.2919.6307" name=GENERATOR></HEAD>
<BODY bgColor=#ffffff>
<DIV>Thank you very much Ron for sharing your tool shape with us. Please =
forgive
my ignorance, but two more questions. On the far right side of your =
drawing is
the end profile of the tool. I don't understand the offset line =
bisecting the
circle - I suspect it is the cutting edge, but I guess I'm having a =
hard
time picturing it - is it more-or-less like a countersinking tool? =
(I'm
sure a grinder dude would know exactly what it is). Please explain. =
Also, I
do not understand exactly what a donut shape for the agraffe center is. =
I eat
'em so quick I never quite notice their shape - and besides, shape would =
not
affect their taste! Do you go for a continuous arc through the agraffe =
center,
or do you maintain a 1/16" or so flat portion through the center as =
Roger Jolly
described? I have a 100-year-old Bechstein waiting for a rebuild in my =
shop that
has 88 of those little bad boys - they have been staring at me for more =
than a
year now and I have felt VERY intimidated (although I have tried not to =
show
it). Thanks big time!</DIV>
<DIV> </DIV>
<DIV>Terry Farrell<BR>Piano Tuning & Service<BR>Tampa, Florida<BR><A =
href="mailto:mfarrel2@tampabay.rr.com">mfarrel2@tampabay.rr.com</A></DI=
V>
<DIV> </DIV>
<BLOCKQUOTE
style="BORDER-LEFT: #000000 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: =
0px; PADDING-LEFT: 5px; PADDING-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A href="mailto:sec@overspianos.com.au" =
title=sec@overspianos.com.au>Overs
Pianos</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
href="mailto:pianotech@ptg.org"
title=pianotech@ptg.org>pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, April 13, 2001 =
5:45
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Agraffes</DIV>
<DIV><BR></DIV>
<DIV>Terry, Roger and list,</DIV>
<DIV><BR></DIV>
<DIV>Included below is a drawing of the agraffe cutter profile we have =
been
using for the past few years.</DIV>
<DIV><BR></DIV>
<DIV><IMG =
src="cid:004a01c0c413$a1750f40$154b2041@tampabay.rr.com"></DIV>
<DIV>We fax this drawing through to our local tool and cutter grinding =
man,
ordering four at a time (double ended). As Roger said earlier, you cut =
from
both sides of the agraffe. We use a small milling machine with depth =
stop
control, to ensure that we end up with a donut shape in the centre of =
the
agraffe. The easy way to check this is to cut a test agraffe in =
half.</DIV>
<DIV><BR></DIV>
<DIV>Regards,</DIV>
<DIV><BR></DIV>
<DIV>Ron O</DIV>
<DIV>-- <BR><BR>_________________________<BR><BR>Website:
http://www.overspianos.com.au<BR>Email:
=
mailto:ron@overspianos.com.au<BR>_________________________</DIV></BLOCKQU=
OTE></BODY></HTML>