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Barbara, <br><br>
I'm not sure about how much to charge for the "stand by" thing,
but I'd definitely charge! Maybe whatever your normal hourly rate is????
<br><br>
As far as the pitch change is concerned, DEFINITELY charge them for that!
Up AND down! That's what I do when the Houston Symphony performs at the
university with our piano. Otherwise, it's going to be at A-440, which is
the house policy or they're going to have to pay to rent a piano from the
Steinway dealer! My fee is appreciably less than that would be!
:-D<br><br>
Avery <br><br>
At 02:53 PM 8/5/05, you wrote:<br>
<blockquote type=cite class=cite cite="">
<font face="Arial, Helvetica" size=2>Howdy all,<br>
</font> <br>
<font face="Arial, Helvetica" size=2>Just had a note from the director of
the big auditorium. A contract from a big orchestra has come
through specifying that the piano be tuned not more than 6 hours before
the concert and "The piano tuner should remain available and
on stand-by until concert start time."<br>
</font> <br>
<font face="Arial, Helvetica" size=2>What's a fair charge for
stand-by? Would it be my normal hourly fee, even if I'm sitting in
the tech office reading a book? :-)</font><br>
<br>
<font face="Arial, Helvetica" size=2>Unless I'm planning on staying for
the concert for my own enjoyment, I usually stay until I get the OK from
whomever, but it usually isn't long after I've finished working. At
this point I haven't been informed what the afternoon schedule is.
This is the first time I've had this in a contract ('tis only my second
season). Just wondering how you all handle these things.<br>
</font> <br>
<font face="Arial, Helvetica" size=2>Also, this orchestra has requested
something other than 440, so I'm thinking they should not only pay for
bringing the piano up in pitch, but also taking it back down again.
Comments??<br>
</font> <br>
<font face="Arial, Helvetica" size=2>Thanks,<br>
</font> <br>
<font face="Arial, Helvetica" size=2>Barbara Richmond,
RPT</font></blockquote></body>
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