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<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>----- Original Message ----- </FONT>
<DIV><FONT size=2>From: "Greg Newell" <</FONT><A
href="mailto:gnewell@ameritech.net"><FONT color=#000000
size=2>gnewell@ameritech.net</FONT></A><FONT =
size=2>></FONT></DIV>
<DIV><FONT size=2>To: "Pianotech" <</FONT><A
href="mailto:pianotech@ptg.org"><FONT color=#000000
size=2>pianotech@ptg.org</FONT></A><FONT size=2>></FONT></DIV>
<DIV><FONT size=2>Sent: May 09, 2003 3:46 PM</FONT></DIV>
<DIV><FONT size=2>Subject: Re: Modal Analysis</FONT></DIV></DIV>
<DIV><BR><FONT size=2></FONT></DIV>
<DIV><BR><FONT =
size=2>Del,<BR> I
wonder if you might help me understand this. You say, "And a <BR>good =
example of
why soundboard cutoff bars can (should) be used to some <BR>advantage." =
In the
views I saw on the web page there seemed to be quite a <BR>bit of =
movement in
the area normally eliminated by a cutoff bar. </FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT color=#000080 size=2>Yes, and it is exactly out of phase =
with the
motion of the bridge and the area of the soundboard surrounding the
bridge.</FONT></DIV>
<DIV><FONT color=#000080 size=2></FONT> </DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>----------------------------</FONT></DIV>
<DIV><FONT size=2>If there <BR>is that much movement is that not =
contributing to
what we hear rather than <BR>detracting from it? As I type and look back =
at the
pictures in another <BR>window I'm tempted to rationalize that while one =
part of
the board, <BR>specifically that part in question, is on the down part =
of a wave
the rest <BR>of the board is up and visa versa. Is this what you wish to =
eliminate with <BR>the cutoff bar so that the board acts as a whole =
instead of
in separate <BR>parts? It would be interesting to see what the board =
would do
using this <BR>modal analysis with a cutoff bar =
installed.<BR></FONT></DIV>
<DIV><FONT size=2><FONT color=#000080>Yes, this is what I am trying =
to eliminate
with the addition of a carefully placed cutoff bar. Energy is being =
traded back
and forth and is essentially being wasted. Going back to my analogy of =
the piano
soundboard functioning somewhat like loudspeaker driver: the soundboard
functions best when it is appropriately sized for the frequency range =
through
which it is expected to function. If it is too small it is great for =
sustain but
will not be able to develope the desired power. If it is too large, =
however,
both sustain and power suffer. Sustain because energy is being wasted in =
the
excess soundboard area and power because acoustical energy is being =
traded back
and forth between the various resonant areas and is effectively =
cancelled
out.</FONT></DIV></FONT>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>----------------------------</FONT></DIV>
<DIV><FONT size=2> =
This brings
me to another question. In all of the examples I've <BR>seen of pictures =
with
cutoff bars installed, all seem to be a great deal <BR>smaller in size =
than the
corresponding inner rim section they are <BR>replacing. I understand =
that they
are epoxied into the existing inner rim <BR>and doweled as well. I =
further
understand, I think, that the cutoff bar is <BR>attached to any support =
beams
over which it passes. Do the combinations of <BR>these items make it =
unnecessary
that it be of similar dimension as the <BR>inner =
rim?<BR><BR></FONT><FONT
size=2><FONT color=#000080>Yes. That and the fact that they are =
generally rather
short. Early on we did try to make them somewhat more massive but over =
time have
found that this is not really necessary. I don't have any formula =
for this,
I just look at the thing and decide. If it is quite a long cutoff I'll =
make it
taller.</FONT></FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2><FONT
color=#000080>Del</FONT> </DIV></FONT></BODY></HTML>