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<HTML><HEAD><TITLE>Re: rear string lengths</TITLE>
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<DIV><FONT size=2>Should the backscale length be taken into =
consideration when
setting down bearing? Since a shorter backscale doesn't allow as =
much
freedom of movement for the bridge, would you, then, consider reducing =
the
bearing on a piano, or section, that had a shorter backscale, and vice
versa? Is there some formula or general rule of thumb for
this.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>David Love</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=sec@overspianos.com.au =
href="mailto:sec@overspianos.com.au">Ron
Overs</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> December 05, 2002 2:40 =
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: rear string =
lengths</DIV>
<DIV><BR></DIV>
<DIV><FONT size=2><snip></FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV>So I took the opportunity to rectify the down bearing by building =
taller
bridges instead of lowering the plate, since already I had begun to =
suspect
that tall bridges helped sustaining qualities. When the bearing was =
finally
set this piano ended up with a nearly 40 mm high treble bridge in the =
mid
section<FONT color=#0000ff> (with an unstrung down bearing setting =
of 6 mm - 4
of which typically sinks out during the stringing)</FONT>. The sustain =
of this
piano is very good. </DIV>
<DIV> </DIV>
<DIV><FONT size=2><snip></FONT></DIV>
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