<HTML><FONT FACE=arial,helvetica><FONT SIZE=2>In a message dated 5/31/01 3:27:01 PM Central Daylight Time,
<BR>dnereson@dimensional.com writes:
<BR>
<BR>
<BR><BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Such as: Where exactly is this "killer octave" everybody talks about? I
<BR>remember the term used in a Journal article a couple years ago, but had
<BR>never heard of it before that. I assume it's up in the mid to high treble
<BR>somewhere. (?) --Dave Nereson, RPT, Denver
<BR>
<BR></BLOCKQUOTE>
<BR>
<BR>Dave, where have you been? Those of us who talk all the time on the list have
<BR>found a way to sleep while tuning pianos, so that we can spend all night
<BR>reading and answering mail. We don't actually tune the piano, mind you. We
<BR>just go through the motions. We've done it so often it's automatic. Try it.
<BR>You'll be surprised how easy it is to do, and then even get paid for doing it.
<BR>
<BR>The killer octave(s) are octaves 6 and 7 on most pianos. Steinways have the
<BR>most problems in this area, but other makes can give you an equal challenge.
<BR>
<BR>Willem </FONT></HTML>