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<DIV>I would be interested in details on your approach to my question. I =
would go right to the archives, but how to find a specific post on
something such as "tuning"? Would it be possible to forward a copy =
of
whatever you may have? I do not recall a post addressing the =
subject,
but there are always some that I miss. Many, many thanks for =
anything
you may be able to do.</DIV>
<DIV> </DIV>
<DIV>Terry Farrell <SPAN =
id=__#Ath#SignaturePos__></SPAN> </DIV>
<BLOCKQUOTE
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=Billbrpt@AOL.COM =
href="mailto:Billbrpt@AOL.COM">Billbrpt@AOL.COM</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, September 05, =
2001 9:43
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: ETDs & =
Non-Equal
Temperaments</DIV>
<DIV><BR></DIV><FONT face=arial,helvetica><FONT size=2>In a =
message dated
9/5/01 8:26:52 AM Central Daylight Time, <BR><A
href="mailto:mfarrel2@tampabay.rr.com">mfarrel2@tampabay.rr.com</A> =
(Farrell)
writes: <BR><BR><BR>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #0000ff 2px =
solid; MARGIN-RIGHT: 0px"
TYPE="CITE">What procedures (aural checks, prayers, waiting for =
proper
planetary <BR>alignment, etc.) do ETD users use when tuning =
non-equal
temperaments to <BR>ensure a good tuning for the subject piano =
(check
octaves and let it go at <BR>that?)? I know some often tune spinets =
with
various non-ET temperaments and <BR>these especially need proper =
checks.
Aside from learning to tune these <BR>non-ET temperaments well by =
ear
(which, of course would be the best way - <BR>but hey, I'm only =
human) how
does anyone go about this? Tips, tricks, <BR>techniques?
<BR></BLOCKQUOTE></FONT><FONT lang=0 face=Arial color=#000000 =
size=3
FAMILY="SANSSERIF"><BR><BR>I've written about this many times over.
There is no "hocus-pocus" to it <BR>such as your "planetary =
alignment"
phrase implies. It is so surprisingly <BR>simple that I have had =
no
qualms about calling it "Mindless Octaves". I <BR>developed the =
method
when I was still tuning ET back in the early 1980's and <BR>continued =
it when
I started exploring the HT's and on to the development of <BR>the =
EBVT.
Steve Fairchild RPT uses basically the same approach. <BR><BR>I =
have
absolutely no use whatsoever for any programmed tuning curve because =
<BR>what
I do is better, far and away better. It goes right to the heart =
of why
<BR>the scale is tempered to begin with and uses the piano's own =
inharmonicity
to <BR>determine exactly the compromise I make. Again, it is so =
easy and
simple <BR>that I think of it as *mindless* because I can tune aurally =
with
the same <BR>accuracy and consistency as I can with an ETD whether it =
is the
first or last <BR>tuning of the day, whether I am tired or not feeling =
well.
<BR><BR>I've published the entire explanation and process on this List =
and
offered it <BR>more than a few times privately. But of course, =
there are
the many who <BR>dismiss what I have to say out of hand and delete =
before
reading. That's <BR>your problem, not mine. My only =
question about
the Verituner is whether it <BR>can do what I do. If it can, it =
would be
worth purchasing, mainly because of <BR>its compact size and long =
battery
life. Until I know the answer to that, the <BR>SAT II suits me =
just
fine. <BR><BR></FONT><FONT lang=0 face=Arial color=#000000 =
size=2
FAMILY="SANSSERIF">Bill Bremmer RPT <BR>Madison, Wisconsin</FONT>
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