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<DIV><FONT face=Arial size=2>Hi Isaac:</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>The center of percussion should only =
come into play
when the hammer strikes the string. Ostensibly you would want the =
line of
action where the string strikes the hammer to pass through the hammer's =
center
of percussion. This would result in no force at the pivot due =
to
impact. If you don't strike at the center of percussion some small =
amount
of energy is lost to the pivot. Only a small portion of
the kinetic energy of the hammer is imparted to the string, =
the rest
goes into deforming the felt, the leftover kinetic energy when the =
hammer
bounces back and vibrational energy imparted to the wooden parts of the =
action,
particularly the hammer shank.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=2>The "touch" of the keys is really =
independent of
this. There are two independent parts.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>There is a static balance: this is what =
you feel if
you partially depress the key and stop...you will feel a force upward =
against
your finger. This is what the lead weights added to the key can
adjust. The more lead, the less static force against your
finger.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Then there is dynamic inertia: =
this is what
you feel when you try to *accelerate* the key downward.
The quicker you accelerate the key, the more reaction force =
you will
feel back from the key. The dynamic force is added to the =
static one
to equal the total force you feel with your finger. The dynamic =
force
depends on how fast you depress the key; the static force is there all =
the time
and doesn't change.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Think of it as if you are holding a 20 =
lb. dumbell
in your hand. If you just stand there it will pull down on your =
arm with a
force of 20 pounds. If, however, you jerk it suddenly upwards you =
will
feel more than 20 lbs. pulling downward, due to inertia.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>The dynamic behaviour of the action is =
changed by
modifying the moment of inertia of the rotating parts. This can =
also
be changed by moving/adding/removing leads, but the =
balance may be
affected as a result.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Hope this helps!</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Don A. Gilmore<BR>Mechanical =
Engineer<BR>Kansas
City</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV>----- Original Message ----- </DIV>
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style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
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<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=oleg-i@noos.fr href="mailto:oleg-i@noos.fr">Isaac sur =
Noos</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, January 16, 2004 =
6:23
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> RE: Cockeyed hammers / =
Don
Gilmore</DIV>
<DIV><FONT face=Arial size=2></FONT><BR> </DIV>
<DIV><SPAN class=749381900-17012004></SPAN><FONT face=Arial><FONT
color=#0000ff><FONT size=2>H<SPAN =
class=749381900-17012004>ello</SPAN><SPAN
class=749381900-17012004>Getting back at that old post, I noticed =
that Yamaha
hammers that have more wood on the tails side than many, seem to be =
better
balanced and more stable in time, we also feel something while playing =
like if
the hammer where thrower more naturally than on other kind with =
thinner
keys.</SPAN></FONT></FONT></FONT></DIV>
<DIV><SPAN class=749381900-17012004><FONT face=Arial =
color=#0000ff
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=749381900-17012004><FONT face=Arial =
color=#0000ff size=2>Is
it the percussion point that is involved (I still did not get it =
really) or
does it have to do with the actual center of gravity of the =
hammer/shank
system ?</FONT></SPAN></DIV>
<DIV><SPAN class=749381900-17012004><FONT face=Arial =
color=#0000ff
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=749381900-17012004><FONT face=Arial =
color=#0000ff
size=2>Thanks in advance</FONT></SPAN></DIV>
<DIV><SPAN class=749381900-17012004><FONT face=Arial =
color=#0000ff
size=2></FONT></SPAN> </DIV>
<DIV><SPAN class=749381900-17012004><FONT face=Arial =
color=#0000ff
size=2>Isaac OLEG</FONT></SPAN></DIV>
<DIV><SPAN class=749381900-17012004><FONT face=Arial =
color=#0000ff
size=2></FONT></SPAN> </DIV>
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solid; MARGIN-RIGHT: 0px">
<DIV class=OutlookMessageHeader dir=ltr align=left><FONT =
face=Tahoma
size=2>-----Message d'origine-----<BR><B>De :</B>
pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org]<B>De la =
part
de</B> Bernhard Stopper<BR><B>Envoyé :</B> vendredi 19 =
décembre 2003
01:02<BR><B>À :</B> Pianotech<BR><B>Objet :</B> Re: =
Cockeyed
hammers / Don Gilmore<BR><BR></FONT></DIV>
<DIV><FONT face=Arial size=2>Don/Sarah,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>To design a hammer so that its =
pivot
coincides with the center of percussion is THE way to get a free =
sound and
the maximum of energy transfer to the string. it also allows the =
hammer to
reject the fastest way possible because oscillations in the =
pivot
produce friction and slow down hammer movement at contact =
point.
</FONT></DIV>
<DIV><FONT face=Arial size=2>i did several simulations with =
software called
pro/mechanica and reshaped hammers after results found. one could =
say that
actual hammer with heavy felts have their center of percussion much =
far away
from the pivot than lighter hammers have. putting a small lead in =
the tail
of the hammer can make them come closer to that point. center of =
hammer mass
should ly on a line along the center of the hammer =
shank and the
center of percussion is at distance x from pivot that can be =
calulated
by the formula x=I/(m*y) with I= moment of inertia, m=mass, =
y=distance to
center of mass</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>regards,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Bernhard</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- =
</DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=eromlignod@kc.rr.com =
href="mailto:eromlignod@kc.rr.com">Don A.
Gilmore</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, December 19, =
2003 12:22
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Cockeyed =
hammers / Don
Gilmore</DIV>
<DIV><BR></DIV>
<DIV><FONT face=Arial size=2>
<DIV><FONT face=Arial size=2>Well, I didn't mean to imply =
that the
impulse at the pivot is all absorbed; but it is all lost as far as =
the
string is concerned.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>The center of percussion is one =
of those
counter-intuitive phenomena in dynamics. For the multitude =
of
college students that only take a semester or two of physics, the =
concept
of forces on a free body acting at the center of gravity is a =
paradigm
that is hard to dislodge. For an object in free space =
or
translating in a straight line, which comprises most =
situations, the
center of gravity is always used. But for an object pivoted =
at some
location other than its c.g., all bets are off. The most =
publicized
version of this is a baseball bat's "sweet spot" as you
described.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Think of a wooden board hung from =
a pivot
point at its top. If you strike the board up near the hinge, =
the pin
will experience a force coming from the direction of the =
strike. But
if you strike the board at the bottom, the pin will experience a =
force in
the opposite direction as the board tries to spin about its =
center.
There is a point in between these two where the pin force is =
neither
positive nor negative and the pin will actually see <EM>no</EM>
force. This is the center of percussion and is <EM>not</EM> =
located
at the centroid of the board. It's not usually even =
particularly
close.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>It would seem to be a good =
idea to
design the hammer so that the string contact point of =
the head passes
through the center of percussion. That way the maximum =
amount of
energy would be transmitted to the string...like dropping a =
ball on
it. But I'm not sure if they actually design them that
way.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV>Don A. Gilmore<BR>Mechanical Engineer<BR>Kansas City</DIV>
<DIV> </DIV>
<DIV></FONT>----- Original Message ----- </DIV></DIV>
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