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<DIV><FONT face=Arial size=2>Bill, if I really wanted to fix the =
problem, I'd go
the route of the Epoxy. Clean off the excess. Just check the =
relationship of the
pin to the notch; that can be equally important. I've found Kimballs to =
be so
prone to poor workmanship as to balk at even trying to take on cleaning =
up the
tone. You've been warned!</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> Look, I hope that =
you weren't
really sick. The first time I worked on a Kimball, I was sick about it =
too! I
have this idea about what a piano should sound like, and I was upset =
that I
couldn't get this one anywhere close. I think the first piano I ever =
tuned for
pay was a Kimball spinet. And here at home I had a Yamaha G2J that was
beautiful. I only charged him the bare minimum, I was so embarrassed. He =
thought
it sounded pretty good. Now I know better; it's not me.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> And this has been =
another lesson
for you; don't point out things like this to the customer unless =
</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> =
A)
They're bothered by it, and</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> =
B) You
can fix it.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> When I started doing =
this, I
didn't have this resource, I wish I did. I was out in the boonies, but I =
made
sure I drove the two hundred mile round trip to go to chapter meeting =
every
month.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> </FONT></DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=pianowrmonroe@hotmail.com
href="mailto:pianowrmonroe@hotmail.com">William R. Monroe</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, March 01, 2002 =
7:22
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: False Beats</DIV>
<DIV><BR></DIV>
<DIV><FONT face="Book Antiqua">Kevin,</FONT></DIV>
<DIV><FONT face="Book Antiqua"></FONT> </DIV>
<DIV><FONT face="Book Antiqua">Not my piano, but my tuning!! I =
finished
a tuning and was sick. I kind of felt the need to point out the =
false
beats to the client in an effort to save face on the tuning. =
Essentially
demonstrated the problem by muting two of the three strings and said =
that if
it is too much of a distraction (for his two daughters who play) that =
we could
try a couple things to fix them. What is your take on removing =
the
bridge pins and putting epoxy in there and seeing what that does (if =
they are
loose)?</FONT></DIV>
<DIV><FONT face="Book Antiqua"></FONT> </DIV>
<DIV><FONT face="Book Antiqua">William R. Monroe<BR>PTG =
Associate<BR>Salt Lake
City, UT</FONT></DIV>
<DIV> </DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=ramsey@extremezone.com =
href="mailto:ramsey@extremezone.com">Kevin
E. Ramsey</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, March 01, 2002 =
7:11
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: False =
Beats</DIV>
<DIV><BR></DIV>
<DIV><FONT face=Arial size=2> You know, Bill. =
False beats
are in almost every piano. Is the customer complaining, or are you =
the
customer? If the customer doesn't seem to notice, then don't bring =
it up. If
it's your piano and you really want to get rid of those beats, it =
may be
possible, if you want to re-pin and re-notch the bridge, re-radius =
the
bearing bar, and re-string. I've come to the conclusion that 90% of =
all
false beats come from bridge pins that are either not perfectly =
aligned with
the notch, or have some looseness in the bridge. Just my two cents =
worth.
When I was new to the trade I went on a quest to find the answer for =
how to
quickly and effectively get rid of false beats. Nobody really had =
the
answer. Sometimes it can actually be bad wire work, but I really =
think that
you could restring a whole section and if that's all you did, you'd =
still
have false beats.</FONT></DIV>
<DIV><FONT face=Arial size=2> But that's just =
my opinion.
</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> Wait,,, I just =
read you
posting again,,,,,,,, I missed that part about it being a
Kimball.. Forget it Bill. Nothing's going to =
work.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- =
</DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=pianowrmonroe@hotmail.com
href="mailto:pianowrmonroe@hotmail.com">William R. Monroe</A> =
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, March 01, =
2002 6:13
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> False Beats</DIV>
<DIV><BR></DIV>
<DIV><FONT face="Book Antiqua">List,</FONT></DIV>
<DIV><FONT face="Book Antiqua"></FONT> </DIV>
<DIV><FONT face="Book Antiqua">I serviced a 1973 Kimball Grand =
today that
has some serious false beats in the upper tenor and treble =
sections.
Tried dressing them to the bridge and did not noticeably =
help.
Looked over key points and everything seems to be in order (bridge =
pinning
and notching look good, agraffes seem to be applying adequate
downpressure). Is there anything I may have overlooked =
before I
suggest replacing some of the offenders?</FONT></DIV>
<DIV><FONT face="Book Antiqua"></FONT> </DIV>
<DIV><FONT face="Book Antiqua">William R. Monroe</FONT></DIV>
<DIV><FONT face="Book Antiqua">Associate PTG</FONT></DIV>
<DIV><FONT face="Book Antiqua">Salt Lake City, UT</FONT></DIV>
=
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