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<DIV><FONT size=3> Hi Don</FONT></DIV>
<DIV><FONT size=3> What part of the scale were your samples placed i=
n
& how many sticks on average was achieving the desired effect?.</FONT></=
DIV>
<DIV><FONT size=3> This sounds like the description of battery voici=
ng
Andre had outlined.. I'll try this.</FONT></DIV>
<DIV><FONT size=3> Thanks</FONT></DIV>
<DIV><FONT size=3> Dale</FONT></DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><=
FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 size=
=2>I put
some samples of the Ronsen hammers with Wurzen felt on a Kawai piano <BR>f=
or
use in a voicing seminar in North Carolina a couple of weeks back. I=
<BR>think those who heard them in the class would agree that they sounded =
very
<BR>nice.<BR><BR>The initial tone was a little too soft, so I first shaped=
them a little to <BR>get a more uniform shape (they were a little lopsided=
)
and fit the strike <BR>point to the strings. They still needed a lit=
tle
more, so I filed them <BR>with 1,000 grit sandpaper a little up and over t=
he
strike point. This <BR>helped a little more. Finally I deep
needled them at the widest point - 9 <BR>and 3 O'clock, with the needles
pointing up towards the tip of the molding, <BR>but not passing over the
molding. This increased the power quite a bit, <BR>and the class agr=
eed
that they didn't need any more.<BR><BR>Don Mannino
RPT<BR></FONT></BLOCKQUOTE></DIV>
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