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<DIV><FONT face=Arial size=3>Pretty good.</FONT></DIV>
<DIV><FONT face=Arial size=3></FONT> </DIV>
<DIV><FONT face=Arial size=3>Terry Farrell</FONT></DIV>
<DIV> <SPAN id=__#Ath#SignaturePos__></SPAN> </DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=erwinpiano@msn.com href="mailto:erwinpiano@msn.com">DALE =
ERWIN</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, November 18, 2001 =
7:58
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Hamlet Davis =
bridge
agraffes/ Reverse crown Steck</DIV>
<DIV><BR></DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
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<BLOCKQUOTE
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<DIV> Hey Terry How did it sound?Just curious.</DIV>
<DIV> Dale Erwin</DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV><FONT face=Arial size=3>You say "that the board was a =
reverse crowned
board with a positive set downbearing". Do you know if this =
configuration
was the intent of the designer & manufacturer? Just curious. I =
have
seen new Steinways with this board/bridge configuration, but =
as far
as I know, it was a manufacturing anomaly.</FONT></DIV>
<DIV><FONT face=Arial size=3></FONT> </DIV>
<DIV><FONT face=Arial size=3>Terry Farrell</FONT> <SPAN
id=__#Ath#SignaturePos__></SPAN> </DIV>
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<DIV style="FONT: 10pt arial"> </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=erwinpiano@msn.com =
href="mailto:erwinpiano@msn.com">DALE
ERWIN</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, November =
18, 2001
9:48 AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Hamlet Davis =
bridge
agraffes/ Reverse crown Steck</DIV>
<DIV><BR></DIV>
<DIV>Tom and list</DIV>
<DIV> </DIV>
<DIV> You know I have been following this =
thread and
it is interesting to me how many makers tried out this idea. I =
rebuilt a
George Steck 6 ft. grand last year with this arrangement. When I =
first
encountered the piano the sound was absolutely magic. The =
sustain just
floated for what seemed like forever . The more interesting =
thing was
that the board was a reverse crowned board with a positive set
downbearing. I mean bearing set pressing in the usual =
direction.</DIV>
<DIV> A bit more time consuming to string but what a =
gem. I
keep finding all kinds of sound board conditions and =
configurations
which aren't supposed to work that do and others that should =
that
don't! </DIV>
<DIV> I have to figure that the weight of the Big =
Brass
agraffes also contributed to the impedance properties of the =
board
probably a sustain enhancing dynamic.</DIV>
<DIV> </DIV>
<DIV> Ain't life =
interestin---Dale
Erwin----- -----</DIV>
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5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt Arial; COLOR: =
black"><B>From:</B>
Tom Driscoll<B>Sent:</B> Sunday, November 18, 2001 6:28 =
AM</DIV>
<DIV style="FONT: 10pt Arial"><B>To:</B> =
pianotech@ptg.org</DIV>
<DIV style="FONT: 10pt Arial"><B>Subject:</B> Hallet Davis =
bridge
agraffes</DIV>
<DIV> </DIV>Enclosed photo of Hallet Davis Grand =
referenced
by Phil Ford in recent<BR>discussion of bridge agraffes. Piano =
was
built in 1890's and bridge system<BR>is still in good
condition. Photo courtesy of Moody Piano in =
Marlboro
Ma.<BR> Tom
=
Driscoll<BR><BR><BR>><BR>><BR><BR><BR>-----------------------------=
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