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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A href="mailto:dbhersh@home.com" title=dbhersh@home.com>Doug =
Hershberger</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
href="mailto:pianotech@ptg.org"
title=pianotech@ptg.org>pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> January 07, 2000 2:22 =
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> setting up for =
installing
soundboards</DIV>
<DIV><BR></DIV>
<DIV><FONT size=2>Dear List,</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=2>My questions to those of you with experience are =
as
follows;</FONT></DIV>
<DIV><FONT size=2>1. what are your thoughts pro/con on =
atmospherically crowned
boards</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=2>It is the so-called "traditional" method of =
crowning
soundboards. However, by even the very early 1900s, =
designers and
builders were discovering its limitations. See Wolfenden's
book.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=2>The basic limitations are:</FONT></DIV>
<DIV><FONT size=2> 1) The =
results are
highly dependent on variabilities in atmosphere and wood.</FONT></DIV>
<DIV><FONT size=2> 2) It places =
extremely
high stress loads on the wood fiber leading to rapid breakdown of
same.</FONT></DIV>
<DIV><FONT size=2> 3) =
Performance is
unpredictable.</FONT></DIV>
<DIV><FONT size=2> 4) Life span =
is
unpredictable.</FONT></DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV><FONT size=2>2. Is the other method, radiusing the ribs and =
pressing the
ribs/board into a caul of some sort?</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=2>Yes, this is the other method. Or some =
combination of
the two.</FONT></DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV><FONT size=2>3. (this one is my question) What do they mean =
when they say
60 ft radius as it applies to soundboard crown?</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=2>Just that. In theory, at least, the radius =
of the
curve of the soundboard along the rib is 60 feet (approx. 18 m). =
Someone, somewhere, has decided that this amount of crown was the =
"correct"
amount. It rarely -- if ever -- works out in practice and even =
if it
did, the theory is incorrect.</FONT></DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV><FONT size=2>He seemed to think that Steinway uses the =
atmosphere type
method. I told him when I was there I didn't remember which method =
they used
but they had a very expensive machine for precisely cutting around the =
perimeter of the board so that it would tightly fit the inside of the =
rim.
Maybe that tight fit, plus gluing onto a angled shelf, plus =
diaphragmatic
taper all contribute to their boards holding their crown. =
</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=2>That is the method used by Steinway (unless they =
have
changed their process in the past several years).</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=2>Yes, Steinway does have a wonderful machine for =
trimming the
soundboard to fit the rim. This has nothing to do with forming =
crown or
with sustaining it, however. Nor does the angled shelf (inner
rim).</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=2>Thinning the soundboard panel through the treble =
section
actually reduces the compression-crowned soundboard's ability to =
maintain
crown over the long term.</FONT></DIV>
<DIV><FONT size=2></FONT> </DIV>
<DIV><FONT size=2>I might mention that these are some pretty basic
questions. Usually when a technician moves into soundboard =
replacement
they have already been answered. It might be wise for your =
friend to do
some serious studying before tackling a project like this. It is =
very
costly to equip one's shop for soundboard work -- whether you purchase =
the
necessary tools or purchase them, it is still going to be =
expensive.
Then there is the performance of the finished product to =
consider....
</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=2>Regards,</FONT></DIV>
<DIV> </DIV>
<DIV><FONT size=2>Del</FONT></DIV></BLOCKQUOTE></BODY></HTML>