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Just so you know it... I know a person who purchased a 1840's Graf
for US 50,000 Dollars just a couple years ago. It had been refurbished,
not so much rebuilt. Origional finish I believe, most of the action wear
and tear parts had been renewed... new strings and pins (of origional sort).
But very much of the thing was pretty much origional.
<p>Seems to be a fairly big center for this kind of thing in Amsterdam.
There are at least a few builders there, and a fairly reasonbly sized miljeu
of players.
<p>You may just have stumbled across a silver egg there Rob.
<p>Cheers
<br>RicB
<p>Rob Goodale wrote:
<blockquote TYPE=CITE><style></style>
<font size=-1>An amazing find here,
I almost can't believe this one...</font> <font size=-1>Yesterday
I received a phone call from a lady who says she has a friend who is trying
to find a home for her piano. I ask what it is and her only
answer is "I don't know, just an old piano".</font> <font size=-1>She gives
me the first name of her friend and the number. Naturally the first
thing that comes to mind is an old PSO upright that should be burned.
So what the heck, I call.</font> <font size=-1>She says that she is
moving this weekend and she needs to get this piano out immediately.
Again I ask what it is. "I don't know, just a big grand" she says.
(Okay getting somewhere, it least it isn't an old upright). Then
she says it's 100 years old and it doesn't play. (Here we go again).
Almost reluctantly I agree to swing by and take a look. The lady
lives in one of the worst neighborhoods in Las Vegas, the type of which
you don't dare walk around at night without packing a Smith & Wesson.</font> <font size=-1>I
knock on the door and it's this little old lady. She explains that
she is moving to Texas and didn't know what to do with the piano.
She doesn't want any money for it, just wants to get it out of the house
immediately, period. I walk in and almost fall over... What is it?
How about an original Broadwood!!!!!!! I'm talking historic!
It could possibly even qualify as a forte-piano. Read on...</font> <font size=-1>The
case features hand carved legs and fancy lyre, numerous carved curves and
edges, some accent carved lace on the music rack, all original and intact.
Even the original strings. The fallboard reads the following elaborately
carved into an <u>ivory plaque</u>, (much nicer than this font, just so
you get the idea):</font>
<center><font face="Lucida Handwriting"><font size=+2>PATENT</font></font></center>
<center><font face="Lucida Handwriting"><font size=+2>John BRoadwood &
Sons</font></font></center>
<center><font face="Lucida Handwriting"><font size=+2>Makers To His Majesty
& Princess</font></font></center>
<center><font face="Lucida Handwriting"><font size=+2>Great Pileney Street,
Golden Square</font></font></center>
<center><font face="Lucida Handwriting"><font size=+2>London</font></font></center>
<font size=-1>Now for the details:</font><font size=-1>Serial
number reads #643. This places it at about 1843. The Pierce
book describes it as a "Cottage Grand"</font> <font size=-1>The piano
measures 6 feet and 6-1/2 inches long.</font> <font size=-1>It is
4 feet 1/4 inch across the front rim.</font> <font size=-1>It has
6 -1/2 octaves measuring 3 feet and 7-1/2 inches wide.</font> <font size=-1>The
original ivory is in remarkable shape, all intact but significant wear.</font> <font size=-1>The
tuning pins are the original oval hammered and tapered type, very primitive
looking. The exposed pin block is split badly.</font> <font size=-1>The
plate (if you can call it that), is light weight and made up of five independent
sections all held together with screws. It does not make direct contact
the pin block.</font> <font size=-1>The beams on the bottom are very
light weight. They look like about 3"X3".</font> <font size=-1>Rather
than agraffs or a capo the strings pass through a continuous brass rail
that extends all the way across the pin block.</font> <font size=-1>There
are two strings per note including the bass strings. The bass strings
may be steel wound, I need to look closer at this.</font> <font size=-1>The
rim is made up of four sections. The tail piece is curved part way
and the other sections are rounded with a miter joint concealed below the
veneer to make it appear as if it were one piece.</font> <font size=-1>The
legs are round and nicely hand carved. They are attached via a threaded
wood dowel through the bottom.</font> <font size=-1>The lyre is made
to really look like a lyre. There are two pedals, both wood.</font> <font size=-1>The
bridges are very delicate and narrow. There is a separate bass bridge
which meets up to the treble bridge at a nearly right angle.</font> <font size=-1>The
sound board grain goes cross-wise. There are about a dozen cracks
but still all glued, no loose ribs that I noticed</font> <font size=-1>The
action is amazing. I have not had the opportunity to pull it out
yet. Let-off is adjusted by big oval pins which look similar to the
tuning pins. The hammers are very tiny and delicate as are the dampers.
I will know much more when I pull it out.</font> <font size=-1>The
biggest concern structurally that I can see is that the spine side, (lid
hinge side), is slightly bent outward. I would guess that this was
caused by tension and probably occurred over 100 years ago. The veneer
is in remarkable shape considering it's age but will still require substantial
repair. Most of the damage is on the tail which appears as if it
might have been against a radiator sometime in it's life.</font> <font size=-1>So
the little old lady just wants it out and she wants it out now! She
isn't looking for money. Alan Meyer and I rushed over at about 7:30
AM this morning, packed it up, and headed to the opposite end of town to
my garage where it sits now. To ward off any guilt I gave the lady
a little money toward her moving expenses. She was delighted and
gave me a big hug as if I were her grandson, she couldn't have been happier.</font> <font size=-1>SO....
There are the basics, I hope to have some more details soon. My question
right now is can anyone provide some general insight about this piano's
value? I presume this instrument has more museum value than musical
value and would look nice behind velvet ropes. I'm still trying to
believe this actually happened all in about 18 hours from the initial phone
call and didn't cost me anything except my little "thank you" money I gave
her on my way out the door. Comments, info anyone please...</font> <font size=-1>Rob
Goodale, RPT</font><font size=-1>Las Vegas, NV</font> </blockquote>
<p>--
<br>Richard Brekne
<br>RPT, N.P.T.F.
<br>UiB, Bergen, Norway
<br><A HREF="mailto:rbrekne@broadpark.no">mailto:rbrekne@broadpark.no</A>
<br><A HREF="http://home.broadpark.no/~rbrekne/ricmain.html">http://home.broadpark.no/~rbrekne/ricmain.html</A>
<br><A HREF="http://www.hf.uib.no/grieg/personer/cv_RB.html">http://www.hf.uib.no/grieg/personer/cv_RB.html</A>
<br>
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