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<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'>Hello David,</span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'> </span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'>I think the high end manufacturer =
you’re
thinking of is Bösendorfer. I would imagine that less mass in the =
bass bridge
equals a cleaner transfer of energy from the string to the soundboard, =
but I’m
certainly no authority on the subject.</span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'> </span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'>Jonathan Finger =
RPT</span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'> </span></font></p>
<p class=MsoNormal><font size=2 color=navy face=Arial><span =
style='font-size:
10.0pt;font-family:Arial;color:navy'> </span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 =
face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma'>-----Original =
Message-----<br>
<b><span style='font-weight:bold'>From:</span></b> =
pianotech-bounces@ptg.org
[mailto:pianotech-bounces@ptg.org] <b><span =
style='font-weight:bold'>On Behalf
Of </span></b>Dave Nereson<br>
<b><span style='font-weight:bold'>Sent:</span></b> Wednesday, March =
26, 2003
2:43 AM<br>
<b><span style='font-weight:bold'>To:</span></b> pianotech@ptg.org<br>
<b><span style='font-weight:bold'>Subject:</span></b> more bridge =
design</span></font></p>
<p class=MsoNormal style='margin-left:.5in'><font size=3 =
face="Times New Roman"><span
style='font-size:12.0pt'> </span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=3 =
face="Times New Roman"><span
style='font-size:12.0pt'> I've noticed on some large =
grands
(I forget which make), the bass bridge will have several =
large holes
drilled through it. I'm not sure why -- I imagine it's to reduce =
the mass
for some reason -- maybe so the soundboard isn't =
"burdened" with
a large block of wood riding on it. Yet, the necessary =
downward
pressure of the strings is also a humongous burden. If I'm =
not
mistaken, this is found only in high quality concert grands, or maybe =
only in
one make. But a few weeks ago, I saw the same feature in
an Eavestaff minipiano. This is a little oddball spinet, =
British
company, but made in the U.S. by Hardman, Peck & Co., =
New York.
[I don't know if Hardman made them under contract with Eavestaff or if =
they
made only the ones sold stateside.] It was hell to work on, and I =
hope I
never see another one. But the bass bridge had holes drilled =
through it
just like the Bosendorfer Imperial or whoever it is that uses that
feature. </span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=3 =
face="Times New Roman"><span
style='font-size:12.0pt'> Now here the violin bridge =
analogy
may come in again -- i.e., the bridge is not a solid block of wood, but =
has as
many "holes", or open spaces in it as =
possible.</span></font></p>
</div>
<div>
<p class=MsoNormal style='margin-left:.5in'><font size=3 =
face="Times New Roman"><span
style='font-size:12.0pt'> Does anybody know
which large grand it is that has the holey bass bridge =
and what
the reason for the holes is? --David Nereson, RPT,
Denver </span></font></p>
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