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<DIV><FONT face=Arial size=2>Hi all,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>In the past I successfully =
voiced a couple of
(New York) Steinway Ds for a small, somewhat dead, =
concert hall. It
was pretty routine during my career (before my maternity leave) for =
me to
find Steinway hammers that were *generously* lacquered, with no give in =
the
shoulders. Fortunately, I managed to soften the shoulders a bit, =
get some
sustain and produce a nice responsive tone that every one =
seemed
to like--well, nobody complained and folks liked to =
record
there. </FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Now I am faced with a "whole =
nuther"
situation---a really big, cavernous, suck up the sound sort of =
hall. What
does it take to reach the back of a place like this (besides
redesigning the hall). I was thinking perhaps a brighter attack =
than I
usually go for, still keeping the give on the shoulders--after all, =
adequate sustain should help (shouldn't it?). A local tech, whose =
concept
of tone is a bit different than mine, once told me that you have to =
have
that granite sound to carry. </FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>What's your =
experience?</FONT> </DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Thanks.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Barbara Richmond, RPT</FONT></DIV>
<DIV><FONT face=Arial size=2>Peoria =
Chapter</FONT></DIV></BODY></HTML>