<HTML>
<HEAD>
<TITLE>Special Piano</TITLE>
</HEAD>
<BODY>
<FONT FACE="Verdana"><SPAN STYLE='font-size:12.0px'><BR>
<BR>
Ladies and Gentlemen----<BR>
<BR>
A <B>Model “C”</B> (7’6”) that I selected new 15 ye=
ars ago at Steinway Hall in London, and that I’ve maintained ever sinc=
e here in Los Angeles is, improbably and miraculously, <B>for sale.<BR>
</B><BR>
I never thought I’d say those words about this instrument. I’ve=
tuned it at least 100 times; its usage is less than 200 hours of very easy =
playing, and less then 30 hours of “hard” professional playing. =
It’s in literally <B>showroom condition</B>, with a custom string cove=
r and an excellent leather-covered artist’s bench; <BR>
The finish is ebony matte, which is hellishly difficult to maintain, but IM=
O the most beautiful finish.<BR>
<BR>
For most of the 90’s I had carte blanche to maintain the piano in rec=
ording/performance readiness 24/7.<BR>
Naturally, it’s been groomed and gone over to a very, <B>very</B> pre=
cise degree, and has never wavered more than 3 cents up or down in my memory=
, even in the last couple years when the tunings went down to 6 or even 12 m=
onths. The piano has led the ultimately pampered life, and has been played b=
y Jack Lemmon, Sammy Cahn, Billy Joel, Dyan Cannon, and on and on.<BR>
<BR>
There were four new Hamburg C’s lined up in a back room in Stei=
nway Hall London; I was to select one for my client and one for his business=
partner, with my client’s, naturally, being choice #1. <BR>
<BR>
<B>It was over in 5 minutes</B>; I put my hands on all the pianos---they we=
re all relatively well in tune, and were regulated and voiced well---and thi=
s one really did just jump out: so alive, so much more “echo,” o=
r “resonance,” carry, sustain, whatever. A voice that caught my =
ear, my body, and ultimately, my heart. If ya know what I mean. <g&=
gt; <BR>
<BR>
The price is $75,000 delivered within the continental United States. There =
is, honestly, little room for negotiation at this price; the owner is a savv=
y internationalist and knows what he has. I anticipate this instrument to be=
sold to a special player or small venue/club/college or major league record=
ing studio. It’s a special, special piano, and once the right person p=
uts his/her hands on it, I doubt if money will be a burning issue.<BR>
<BR>
I’d personally love to see the piano in a place where it’s play=
ed and <B>appreciated constantly </B>rather than once in a blue moon.<BR>
<BR>
Any interest in this can be pursued privately; compensation is involved. I =
rarely get involved in this kind of brokerage, but this is a special client =
(I’ve been working on his various Steinways for 20+ years) and a speci=
al piano. <BR>
<BR>
My best to all,<BR>
<BR>
David Andersen<BR>
<BR>
<B>A BIG P.S.</B> Can someone on the CAUT list assist me in getting t=
his email over there? Thank you.</SPAN></FONT>
</BODY>
</HTML>