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<DIV> HI <FONT size=3>Greg<=
/FONT></DIV>
<DIV><FONT size=3> Its a Novelty, a sales tool & an educat=
ional device. How useful you find it is probably up to you. However, until I=
made this tool I had no idea as to what was actually happening in the hamme=
r & this is visual fascination.</FONT></DIV>
<DIV><FONT size=3> Also Different types of hammer respon=
d differently in the flex-o-meter. The hammers that don't compress=
very much over & down to the molding also have restrictive movemen=
t in the shoulders & for me I know from experience this is a hammer=
to avoid as I have difficulty getting the tone I want. Comparing a new qual=
ity hammer to an existing hammer out of a clients piano that really needs ha=
mmers is verifying what you're saying. As is said a picture is worth........=
.. Yes, It would be better if the tail rested on something solid but then th=
ere would need to be some mechanism to adjust for various tail lengths and f=
elt sizes. This was simply & convenient. I don't think it would matter. =
You'll see what is most instructive.</FONT></DIV>
<DIV><FONT size=3> Dale Erwin</FONT></DIV>
<BLOCKQUOTE style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue =
2px solid"><FONT face=Arial>Dale,<BR> How=
useful is this jig really? I've never seen a hammer supported <BR>under the=
low shoulder are like your jig does. Perhaps if it were made to <BR>support=
under the wooden end you might have a better representation of <BR>what's a=
ctually going on under deformation. Then again, perhaps there would <BR>not =
be an appreciable difference.<BR><BR>Greg Newell<BR>Greg's piano Forté<BR>=
mailto:gnewell@ameritech.net </FONT></BLOCKQUOTE></DIV>
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