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<BODY>Fascinating post Andre....<BR><BR>It might interest you to=
know that when I got of WIT in 1974 and went home to Minot,=
North Dakota. I was charging the highest fee of $20=
a tuning amongst my competition. <BR><BR>David=
Ilvedson<BR><BR><BR><BR><BR><BR><BR>
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Original message<BR>From: antares <ANTARES@EURONET.NL><BR>To:=
Pianotech <PIANOTECH@PTG.ORG><BR>Received: Sun, 6 Feb 2005=
12:43:25 +0100<BR>Subject: Re: working with ETD's versus..... no=
more really...<BR><BR>
<P align=left><BR>On 6-feb-05, at 3:54, David Andersen=
wrote:<BR><BR></P>
<BLOCKQUOTE>
<BLOCKQUOTE>If one insists that an aural tuning is better, so be=
it, I prefer to say that<BR>some aural tuners, probably like=
David Andersen, are really fantastic tuners,<BR>but that it=
takes a whole lot of energy and stress to produce 5 of=
those<BR>tunings a day. <BR>Working with a near perfect ETD is=
far less stressful and costs far less<BR>energy. <BR>Again, the=
unisons are, in my opinion, more important, and so is the=
voicing.<BR><BR><BR>See, I choose for an economical use of my=
time with a maximum result.<BR><BR>friendly greetings<BR>from=
<BR>ANDRÉ OOREBEEK<BR></BLOCKQUOTE><BR><BR>Absolutely. Agree=
100%. If I was tuning 5 pianos a day, I would definitely<BR>look=
at the Verituner. By the grace of God, I don't have to do that=
these<BR>days; just 2 or at the most 3 pianos a day, with other=
interesting work<BR>thrown in. <BR></BLOCKQUOTE><BR><BR>Alright,=
I 've been thinking about dizz.....<BR><BR>I don't think that=
there is an ongoing war between ETD'ers and Aural'ers.<BR>The=
time has past and is gone, where older aural tuners scorned=
technicians with sophisticated equipment.<BR>I think I am right=
when I say that we -<B>mostly</B>- all agree that only the very=
best ETD's can easily match the very best tunings made by aural=
tuners. <BR>If one does not and can not agree with this, then I=
consider this otherwise highly interesting and informative=
discussion one sided and invalid. I do not that think - I -=
would spend more time on this issue, because <B>1.</B> all my=
critical customers are extremely satisfied with my ETD tuning=
and <B>2.</B> for me personally it is out of the question to=
start all over again with aural tuning, especially so because I=
have had it and I have done that for the greater part of my=
professional life.<BR><BR>Again, I wish to bring forward here,=
that I would insist that any tuning student should learn to tune=
aurally and then tune at least 10 000 pianos <B>without even=
looking at an ETD</B>.<BR>If that tuner then chooses to keep on=
tuning aurally, or chooses to buy an ETD..... fine, does it=
matter? are <B>we</B> at least trying a create a free society,=
or what?<BR><BR>Which brings me to the fact that you David=
(Andersen) have the choice of tuning no more than 2 or at the=
most 3 pianos.<BR>I think it could be enlightening to some here,=
that there is something else in play here :<BR>There are some=
huge differences between the USA and at least the Netherlands=
(and other European countries).<BR>What differences am I talking=
about?<BR><BR>1. there is the fact that the tuners/technicians=
here in Holland are divided in two groups :<BR>Those who are=
self employed, and those who work for a piano store.<BR>Most of=
the tuners/technicians work for a piano store and have a regular=
income with obligatory health insurance and reasonable pension=
plans.<BR>Their income can never be fantastic because their=
employer needs to make money too.<BR>Way in the past, like in=
the 19th and first halve of the 20th century, those employed in=
a piano store, were living in Dickensian conditions. They were=
forced to work 6 days a week, had maybe just a few days a year=
vacation (or never), made very long days and were forced to tune=
at the least 7 pianos every day (outside the store).<BR>We know=
those stories.<BR>That changed in the second halve of the 20th=
century, after WW-II.<BR>Socialistic ideas were very strong then=
and one began to form unions. This happened all over the World,=
except in fascist countries in general, or in places where=
people were (and still are) brutalized and forced to stay poor=
for ever (like in some African countries where greed and the=
most stupefying selfishness prevails in the upper warrior=
clans).<BR><BR>The profession of the Dutch piano tuners was=
placed under the wings of the "Metal Union" and every year, a=
small delegation of representatives was sent to the Hague, the=
political centre in Holland, to negotiate improving conditions=
for their piano tuner/technician members.<BR>When I entered the=
'market' in the early seventies, I began to work for a big piano=
store in Amsterdam, and, immediately was told to start training=
hard because it was customary (still) that the tuners did 7=
tunings a day (I have told this here before, but repeat i to=
illustrate the working conditions here).<BR>At the same time,=
tuning a piano then cost about <B>15,00 US $ ! </B>in the early=
seventies!<BR>Tuning a piano was considered a low tech kind of=
work, and if one said that his (female tuners did not yet exist=
then) daily work consisted of tuning pianos, most people would=
start to laugh or giggle. They considered it a funny profession,=
haha.<BR><BR>No wonder wages were very low, and conditions in=
general were so so for the piano tuners.<BR>No wonder too, that=
at a certain moment, more and more tuners left their erstwhile=
employers, and started a business for themselves.<BR>Those, who=
took that step, did not have an easy time either. Health=
insurance and pension plans were, and are, very expensive, and,=
above all, the Dutch Government always has squeezed every single=
soul to the innermost bones, to get to the last excess=
marrow.<BR>sob sob...<BR><BR>With this background in mind, it is=
perhaps more easy to understand that the price development (in=
general) has taken only a very slow rise over the last 6=
decades.<BR>Only 5 years ago, tuning a piano cost something like=
US $ 55,- to 60,-<BR>The introduction of the Euro has put the=
cost of living on its head. All prices jumped with at least 30=
to 50 % and in some cases, the European currency in general,=
just doubled, just like that. (don't ask me why and=
how).<BR>This price may seem not so bad compared to you=
Americans<BR><BR>Most piano stores now ask around 75 to 80 US $=
(This price may seem not so bad compared to you Americans, but=
the comparison between the US and European currency has lost its=
reality, due to the inevitable slow sinking away of the US=
dollar, thanks to your President), but it is actually still too=
low, because the costs of a car are included and the cost of=
living has almost doubled here.<BR>The heritage of tuning so=
many piano's per day, has come to around 30 piano's a week,=
through the influence of the Piano union. That means that every=
piano tuner who is not self employed has to tune 6 pianos a day,=
like it or not.<BR>Wages are still so so, but the obligatory=
health and pension plan is ok.<BR>Those who are self employed,=
aim for at least 5 pianos a day, because their costs are high=
(car, pension, health plan, taxes) but at least their wages are=
not skimmed of by a so called boss, hrmpf.<BR>They make more=
hours, sometimes 10 to 12 hours a day, including driving,=
calling customers, and administration, but they have one huge=
advantage over the employed ones : they are free, and if they=
choose to go to Antarctica tomorrow, they can do=
that.<BR><BR><BR>Maybe this long explanation of the Dutch piano=
tuner in general, will make you understand that <BR>1. Dutch=
tuners were always forced to tune an awful lot of pianos a day=
(myself included), <BR>2. always tried to make an extra buck for=
themselves either in the evening or in weekends,<BR>3. Were, and=
are, therefor prone to early wear and tear of their=
bodies,<BR>4. Are for those above reasons, more than ready to=
make a new start with a nice and relaxing ETD.<BR><BR>I am=
certainly not in the lowest ranks of the tuner world here. I=
charge my customers 70 Euros which is 90 US Dollars.<BR>However,=
I am able to tune any more pianos than 2 a day otherwise my poor=
left hand will hurt more.<BR>So I try to earn my living mostly=
with technical work, like regulating and voicing. That is all=
very nice, but the level of my clientele is not of the same=
level you may have in the chintzy parts of LA. I know LA pretty=
well, you can definitely not compare it with Amsterdam, or=
Holland for that matter.<BR>There is a lot of wealth there and=
incredible amount of incredibly rich people. There is no Bel=
Air, Hollywood, or Beverly Hills here. <BR>It is so different=
David.<BR><BR>I hope that anybody, reading this, understands=
better my arguments why, I in the first place, and many others=
here, were more than ready for a sleek machine. Too much=
repetitive work, too many chinese equal temperament puzzles=
every day till your 65th birthday. It is killing.<BR>I consider=
myself lucky, to be able my beautiful work, so I am not=
complaining.<BR><BR>It is just that we have a completely=
different background.<BR>Sometimes it is interesting and also=
enlightening to better understand how other live, especially on=
this list, which counts a number of techs who are living in=
other places in the World.<BR><BR><BR><BR>
<BLOCKQUOTE>And maybe I just THINK I do fantastic tunings; it=
could be all in<BR>my head; perhaps I'm just a big blowhard=
who's got everybody fooled.<BR></BLOCKQUOTE><BR>I hope to find=
out someday soon?, and I am looking forward to that moment.<BR>I=
have already been able to check on the skills of my friend=
Ricardo in wet and freezing Norway.<BR>Let me tell y'all that he=
too is one of the best I so far have encountered.<BR>Keep that=
in mind when he pokes around this list, hehehehe...<BR><BR>
<BLOCKQUOTE>My affection and respect to you, Master=
Oorebeek.<BR><BR>David A.<BR></BLOCKQUOTE><BR><BR>Likewise, and=
may da foice be witha ya *(; > O=
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