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<DIV><FONT face="Courier New" size=2>Hi Paul.</FONT></DIV>
<DIV><FONT face="Courier New" size=2></FONT> </DIV>
<DIV><FONT face="Courier New" size=2>I have a book called " Piano =
Tone Building,
Proceedings of the Piano Technicians Conference, Chicago 1916, 1917, =
1918 New
York 1919", by the "Acoustic Department, American Steel and Wire
Co."</FONT></DIV>
<DIV><FONT face="Courier New" size=2>Vols. 1 and 2. (a single
book).</FONT></DIV>
<DIV><FONT face="Courier New" size=2></FONT> </DIV>
<DIV><FONT face="Courier New" size=2>Phew, that was a big title. I =
don't know if
the book is still available; I obtained my copy in =
1983.</FONT></DIV>
<DIV><FONT face="Courier New" size=2></FONT> </DIV>
<DIV><FONT face="Courier New" size=2>On pages 42 through 49 =
inclusive, is a
section titled "Peculiarities of Wound Strings, December 21, =
1916".</FONT></DIV>
<DIV><FONT face="Courier New" size=2></FONT> </DIV>
<DIV><FONT face="Courier New" size=2>This section records the =
conversations
between the wire maker, manufacturers and technicians. One of the topics =
covered
is iron-wound (steel-wound) strings vs. the "new" copper-wound and
copper-plated-winding strings. fwiw: William Braid White is one of the
participants.</FONT></DIV>
<DIV><FONT face="Courier New" size=2></FONT><FONT face="Courier =
New"
size=2></FONT> </DIV>
<DIV><FONT face="Courier New" size=2>If you like history, this is an =
amazing
text. I've always liked the sound of iron-wound =
strings.</FONT></DIV>
<DIV> </DIV>
<DIV><FONT face="Courier New" size=2>Have a good day.</FONT></DIV>
<DIV><FONT face="Courier New" size=2>jp</FONT></DIV>
<DIV><FONT face="Courier New" size=2></FONT> </DIV>
<DIV><FONT face="Courier New" size=2>John Peterson, Associate
Member<BR></FONT></DIV>
<DIV><FONT face="Courier New" size=2>Peterson Piano =
Service<BR>Raleigh, North
Carolina<BR></FONT><A href="mailto:pianotuner@bellsouth.net"><FONT
face="Courier New" size=2>pianotuner@bellsouth.net</FONT></A><BR><A
href="http://personal.rdu.bellsouth.net/~johnwp49"><FONT =
face="Courier New"
size=2>http://personal.rdu.bellsouth.net/~johnwp49</FONT></A><BR></DIV>=
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: =
black"><B>From:</B>
<A title=tune4@earthlink.net =
href="mailto:tune4@earthlink.net">Paul Chick
(EarthLink)</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A =
title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, August 19, 2002 =
10:39
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Synchrotone Bass =
Strings</DIV>
<DIV><BR></DIV>
<DIV>List<BR> I remember some posts about Baldwin Synchrotone =
Bass
Strings, but don't<BR>recall:<BR> 1. Did Baldwin =
discontinue
them?<BR> 2.When?<BR> 3.Why?<BR>Is =
there
any information available on the history of wound strings, =
i.e.<BR>when, who,
what was used, how bass string winding got where it is
today?<BR>Thanks!<BR><BR>Paul Chick<BR><BR><BR></DIV><FONT =
face="Courier New"
size=2></FONT></BLOCKQUOTE>
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